The Planet Buyer, by Cordwainer Smith
Posted January 11, 2013
on:The Planet Buyer, by Cordwainer Smith
published in 1964
where I got it: purchased used
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Rod McBan the hundred and fifty first is the last of his illustrious line, so the law of Norstrilia allows him to have children. But he can’t control or properly develop his telepathy and is therefore considered flawed and handicapped, and no amount of therapy seems to help. Rod will either pass the tests and be allowed to breed, or be given euthanasia drugs. On pastoral Norstrilia, only the strongest are allowed to survive. They may be the farmers of the immortality drug Stroon, but the Norstrilians are a strict, traditional, and pragmatic people.
It’s fascinating how the richest planet in the universe ended up being sparsely populated by a bunch of farmers and their disease ridden mutant sheep. The narrative offers quite a bit of helpful background on how Norstrilia came to be. It borders on infodumping, but Smith’s easy going and conversational style prose makes it easy to dive right in and feel like you are right there.
At the last minute, Rod is saved from the grueling tests by Lord Redlady, a representative of The Instrumentality (the governing body of the galaxy), and given the opportunity to visit Manhome (Earth). Not sure what decision to make, Rod consults with the family computer, which has been hidden away under ground. The computer’s response is basically “leave it to me”, and the computer begins playing the stock market with Rod’s family fortune. Before dawn, Rod is the richest man in the galaxy, richer than the Stroon markets, possibly richer than The Instrumentality. If there was a time to escape to Manhome, now is that time!
Escape plan in motion, Rod starts his journey. But the secret is out that he’s suddenly the richest person the galaxy has ever seen. Governments are after him, criminals are after him, everyone wants Rod McBan, or wants him dead. And the one group that conspires to save and protect him is the one group that has eyes and ears everywhere, but no rights anywhere. But what do they want him for? Why did they save him? certainly not pure altruism. When Rod eventually arrives on Earth, he finds that he owns just about everything.
The story ends rather abruptly, to be continued in the Smith novel The Underpeople, which was written in 1968. The two short novels were eventually published in a single volume in 1975 titled Norstrilia.
One of my favorite things about The Planet Buyer was Smith’s worldbuilding for Norstrilia. At first blush, their customs regarding population control sounded awful. However, they are not overly cruel or inhumane about it, and the reasons for the strict population control is presented in a logical manner. Or at least, logical to them. Individuals that do not pass the tests are treated respectfully until their death (well, unless you consider killing them!) and aren’t seen as an embarrassment to their families. The drugs allow the person to die in a pain-free state of bliss. It’s the strength of Smith’s power with words, that he can take something so awful, so horrific, and make it sound like just another local tradition.
Smith’s writing style isn’t for everyone, readers seem to really like him, or really really dislike him. Granted, I have not read much of his work, but what I have read I really enjoyed to the point that if I see a Smith at a usedbookstore, I grab it! I appreciate that he doesn’t shy away from telling it how it is, and for pulp science fiction his short stories are very emotional and evocative, sometimes with more the feeling of mythology than a far future scifi story. Often, we meet members of the genetically modified servant class, the Underpeople, who know their lot in life, but dream of better things. Most of his science fiction works take place in the same universe (that of Norstrilia, Stroon, and The Instrumentality),with recurring characters and locales. Smith stories don’t always have a happy ending, but I always get a soothing feeling from reading them.
16 Responses to "The Planet Buyer, by Cordwainer Smith"
I’m one of those who love…LOVE…Cordwainer Smith, as you well know. I often describe his writing as “lyrical” because for me there is something about it that has its own melody and it just sings. I feel this electricity when I read his work, even with the short stories that I don’t particularly love. As a whole his works do something special for me as a reader and when I read The Planet Buyer followed up immediately by The Underpeople last year I was just blown away. I devoured them both in hardly anytime and all. I couldn’t bear to be away from Rod and C’Mell (who is possibly my favorite Smith character). There is a beauty to the world he has created, even in its cruelty and unfairness and I think that is because he doesn’t shy away from showing the “slaves” of his universe as people with real feelings and emotions, with dreams and desires of a better situation. I like that he doesn’t make everything triumphant nor does he make everything tragic. And he is just so darn creative.
I mentioned elsewhere that my recommendation is to read at least a good handful of Smith’s short stories before reading this just because you then “get” all the little references to those stories as you read this. He wrote this novel later and did a great job of weaving in parts and characters from those shorter stories.
At any rate, I cannot recommend Smith strongly enough and while I fully understand when people don’t like his work (it is the oddest stuff that I like) I also feel sad because of that connection that they are missing out on.
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Fun to see how my dad’s work continues to touch people. The best editions of his work are the NESFA ones mentioned above — they put a lot of work into getting small typos and other errors corrected.
And for the readers wanting to read online, clicking on my name here will take you to the page on my site cordwainer-smith.com with links to several free stories and more that you can buy.
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1 | Jack Flacco
January 11, 2013 at 8:30 am
It’s funny how these older books keep popping up for me. The science behind them is so vintage as well. I can relate to this just like watching an old Star Trek episode. The knobs are huge, the computers beep and whir, and the overall story is more relaxed. Today’s books start abrupt and finish with a bang. I remember reading an old John Grisham book from the early 90’s. I remember how the story grabbed my attention right from page one. I never read anything like it. Back in the 60’s and 70’s, the stories were more liberal with they way they were written. Slow intros, long character descriptions and a heavy build. Anyway, just thought I’d throw that in there ’cause this book is something I’d probably enjoy reading!
Keep up the great work 🙂
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Redhead
January 12, 2013 at 11:30 pm
Yeah, I love in these old stories that computers are the size of a room, telephones have wires (tell that to a kid today, and they just don’t believe you!) photography isn’t instant, and characters don’t have the universe, or twitter, at their fingertips.
communication took much longer,computational stuff took longer, the pace of life was slower. maybe that accounts for the gentler pace of a lot of this older stuff?
and thanks! 🙂
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