Archive for the ‘Christopher Priest’ Category
where I got it: borrowed from a friend
I enjoyed reading The Adjacent, and I’d be lying if I said a large portion of the book didn’t have me on the edge of my seat. But still, I can’t tell you what this book is about. That’s not because i don’t want to spoil things for you, it’s because I simply have no idea what the book was about.
I borrowed this book from a friend, who described it as “a mental mind f*ck””, which is as apt a description as any. The few sentences on the back of the book mention two characters who have similar names but otherwise shouldn’t have anything in common, and a physicist who discovers a weaponizable secret. How is all this might be related is an understandable and expected question.
The story opens with photographer Tibor Trent, recently returned to England after his wife Melanie was killed in the Anatolian field hospital they both worked in. This near-future England isn’t anything you or I would recognize. Much of the land is burnt to slag, the face of the ruling government isn’t what most people would expect, and Tibor is kept oddly isolated, often guarded or greeted by people who refuse to speak to him. It’s not so much post-apocalyptic as it is post shock-and-awe. Tibor is waiting for his debriefing appointment, to explain to someone the enemy weapon that killed his wife, that left nothing behind but a blackened perfect triangle.
Elsewhen, stage magician Tommy Trent is on his way to the Western Front. What could the muddied trenches possibly need a stage entertainer for? When Tommy learns of the true reason he’s been called to the front, he realizes he’s in far too deep. Told in first person, Tommy tells the reader he is a professional misleader. He also gives an early and helpful definition of how adjacency is applied to the art of stage magic:
“The magician places two objects close to each other, or connects them in some way, but one is made to be more interesting (or intriguing, or amusing) to the audience. It might have an odd ot suggestive shape, or it appears to have something inside it, or it suddenly starts doing something the magician seems not to have noticed. The actual set-up is unimportant – what matters most is that the audience, however briefly, should become interested and look away in the wrong direction”