Archive for the ‘Lesley Conner’ Category
As many of you know, I’m a non-fiction contributor at Apex Magazine. I interview authors, and occasionally do some other fun stuff. If you’re a spec fic reader who is always looking for something a little weird, a little different, something unexpected, Apex Magazine is for you! Jason and Lesley get this incredible magazine out the (digital) door every month, jam packed with surreal and atmospheric fiction, speculative poetry, author and artist interviews, and essays. But that’s not enough for Jason and Lesley. No, they want to bring you more fiction! more poetry! more non-fiction! For the next 2 weeks, the Apex Subscription drive aims to do just that: gaining more subscribers means more people will enjoy this magazine every month, which means funding for more Apex awesomeness. But why don’t I let Jason and Lesley tell you more? And why don’t we do that while surrounded by gorgeous Apex cover art?
oh, and by the way, there is something really awesome (and a little crazy) coming later this week. It involves you putting your thinking caps on, and me giving away a subscription to Apex.
Andrea: First things first. How did you each get involved with Apex Magazine? What are your responsibilities at the magazine?
Jason Sizemore: I’m the creator, owner, editor-in-chief, and He Who Writes the Checks. I started Apex in response to an early midlife crisis. Here I am, truly in midlife, and I’m still doing it.
Lesley Conner: I’d been working on the book side of Apex Publications for a few years when Cameron Salisbury decided to step down as the managing editor of Apex Magazine. Jason had recently stepped back into the editor-in-chief role and we already knew that we work really well together. He asked me if I’d be interested in filling the vacancy, and I immediately said yes.
As for what I do … a little of everything. Except write checks! That is all Jason!
Andrea: What goals are you hoping to reach with this subscription drive?
Today I’m thrilled to have my friend Lesley Conner visit Little Red Reviewer. Lesley is an author, the Managing Editor of Apex Magazine, and all around amazing person. A wrangler of slush readers and girl scouts, Lesley somehow manages to find time to write her own fiction. Her debut novel, The Weight of Chains, comes out today from Sinister Grin Press. A historical thriller of power, torture, and escape, The Weight of Chains is the story of Gilles de Rais and the woman who defied him.
Lesley was kind enough to answer a few of my questions about her new novel. Let’s get to the interview!
Little Red Reviewer: Congratulations on your forthcoming novel, The Weight of Chains! What can you tell us about the novel?
Lesley Conner: Thank you! I’m extremely excited!
So what can I tell you about The Weight of Chains … I could go the old boring route and tell you it’s an alternative history horror novel inspired by the crimes of Gilles de Rais.
That’s true, but it doesn’t really get to the heart of it.
The Weight of Chains is about power and control. Gilles de Rais is nobleman who has absolute control over every aspect of his life. He’s also a killer with very dark desires, and he uses his status and power to make sure that he can play out his every fantasy. It is a novel full of torture and death. It’s also one that examines what happens to the people who get swept up in that world, who have no control and no choice, but have to fulfill their master’s wishes for safety and security, or just to make it through one more day. But what happens if Gilles’s control begins to slip? What if another power comes into play and the carefully constructed life that Gilles has built begins to crumble?
The Weight of Chains is full of murder, deceit, magic, desperation, a demon, and a little girl who wants to figure out how to do more than just survive. She wants to be happy.
LRR: The novel takes place in medieval France. Tell us about some of the research you did to get the historical details just right.
LC: Gah! Research! By the time I was finished with the novel, I was to the point of telling any who would listen that if I EVER said I wanted to write another historical novel to smack me. And then I immediately got an idea for a novel heavily influenced by the 1920s New York speakeasy scene and fell right back down the research rabbit hole.
Researching a novel set in 1436, France was difficult to put it mildly. First, Gilles de Rais was a real person. I spent a lot of time reading about him, the crimes he committed, and the people who were involved. The facts of his life have been twisted – he really did hire a wizard named Prelati, but the real Prelati was very much a conman, whereas the one in my novel is a victim of Gilles cruelty – but anyone who knows about the historical figure will see little details that point to the real man.
Second, a major character in my novel is an eleven year old peasant girl. There is little detailed information about the peasantry at this time. So much what is out there seems to focus on nobility. Finding information about peasant children – girls in particular – was even harder. I wanted details like footwear and what they would eat to be as accurate as possible, so I ended up contacting some historical re-enactors. When all else fails, ask an expert! They were fantastic about answering my questions. Plus, they were always in character and would begin emails with “Dear fair lady,” which is kind of fun.
LRR: Without giving us any spoilers (if possible), what is your favorite scene in the novel?
LC: There is a scene where Jeanetta is serving Christophe a bowl of soup. It doesn’t seem like much, but something happens that makes her realize that life could be good, it could be more than the drudgery of moving through each day doing what needed to be done so she and her family could survive, she could be happy. It’s a very small moment and isn’t incredibly flashy, but it is integral to Jeanetta having the will and the strength she needs at the end of the novel. I don’t know that it’s my favorite scene (can a writer really pick a favorite?) but it always makes me smile because it’s a sweet moment, and I’ll be honest, there aren’t a whole lot of sweet moments in The Weight of Chains.