Archive for the ‘Thomas Olde Heuvelt’ Category
“The Ink Readers of Doi Saket” is available online at Tor.com. Head over, give it a read (don’t worry, it’s quick. and fun!), and come on back and let me know what you think. and if his name sounds familiar, it’s because his novelette “The Boy Who Cast No Shadow” was nominate for a Hugo last year. Interested in what I thought of the rest of the Hugo nom’d short stories? Click here!
My thoughts on “The Ink Readers of Doi Saket” by Thomas Olde Heuvelt:
The story takes place in the Thai village of Doi Saket during the festival of Loi Krathong, when the river is filled with all manner of floating flowers and small boats. Within the floating flowers are the wishes of everyone in Thailand. Good health, long life, revenge, love, you know, the usual. The villagers swim into the river to retrieve the wish filled boats and read the people’s wishes, knowing some of these wishes ARE going to come true, because that’s simply how this festival works. In the cases where the boat has capsized, specially trained monks read the smeared ink, and interpret what the person wanted as best they can.
(In a way, Doi Saket reminded me a little of The North Pole, where every child’s letter to Santa goes. Ask Santa for a video game, you might get it. Ask Santa for a pony, you’ll probably still just get a video game. Did Santa bring you something you asked for, or did you ask for something that was within your parent’s gift buying budget?)
The villagers in Doi Saket also have wishes – to not die, not to have to wait so long for dinner to be ready, to be able to satisfy a lover. you know, the usual things. Young Tangmoo doesn’t really have anything to wish for. He enjoys watching the spectacle, and only at the last possible second does he find something useful to wish for.
There are some shady dealings happening in Doi Saket, and in too many ways that is an inadvertently integral part of the festival. Everything has to happen just so, so something else can happen, so something else can happen. It’s all connected like clockwork, and no one but the reader gets to appreciate all the connections.
The narrative weaves back around and through itself, with some wishes being granted through karma and coincidence, others through supernatural means, and others through, well, other means that I won’t go into. And so much of the writing is just plain funny! With so much of this ballot taking an emotional toll, can I tell you how much of a joy it was to just laugh out loud at a funny scene, or a descriptive nickname, or just the lightness and joy in living of the whole thing?
I’m slowly making my way through more Hugo nominations. The nominations for best novelette are:
- “The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
- “Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
- “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
- “In Sea-Salt Tears” by Seanan McGuire (Self-published)
- “Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)
Today I’ll talk about The Boy Who Cast No Shadow by Thomas Olde Heuvelt (Dutch friends! Please help me with the correct pronunciation of his last name!) and Fade to White by Catherynne M. Valente.
The Boy Who Cast No Shadow by Thomas Olde Heuvelt
Look is an especially odd child. He has no shadow. It’s not just that a shadow doesn’t form behind or under him, there isn’t one under his nose, or his chin, it’s that no darkness forms around him, as if the sun refuses to acknowledge his existence. He doesn’t have a reflection either, and can’t be filmed or photographed. The original invisible boy. Unless of course, you’re in the same room as him, and then there’s just a lonely child, seen by everyone but himself.
Look is the only weird kid at school until Splinter shows up and gives the bullies a new target. Splinter can’t help being the perfect fragile target for their verbal and physical abuse; he’s a boy made of glass, a child who reflects everything except himself.