Posts Tagged ‘guest post’
Posted September 3, 2016on:
My other half is a huge fan of the Monogatari series. He enjoys the anime series, and the Kizumonogatari (Wound Tale) novel. A series of light novels that were turned into anime series, this paranormal story is told non-chronologically to enthralling effect. You can watch or read the stories in the order in which they were written, or in their chronological order, for a completely different experience. What’s unusual about this series is that the characters actually come out and say exactly what they are thinking – which is rather unusual for your typical character be they in a Japanese story or an American story. How would our lives be, if people said what they were thinking?
Take it away, other half!
from Serdar Yegulalp’s review of Kizumonogatari (Wound Tale)
“Such was my experience with Kizumonogatari (“Wound Tale”), now in English courtesy of Vertical, Inc. It is ostensibly the story of a young man made into the thrall of a centuries-old vampire, and tasked with returning her severed limbs as payment for being restored to humanity. I say “ostensibly” because while that’s more or less what happens, it’s not what the story is about. The real subject of the story is Nisioisin’s way with words, and how much you enjoy this book — or any of his books — will be directly proportional to how much you savor watching an author make his sentences do handstands and jump through hoops.”
I did not particularly agree with the review though, I find many people see Araragi as a boy obsessed with boobs and panties and Hanekawa as just a generic damsel in distress. This is both incorrect and short sighted. Westerners seem to both love and hate sexuality; we watch simulated sex all night on Game of Thrones or True Blood and then go to work and complain about how anime is only for weeaboos because it has panties. Sigh.
Araragi ‘says’ internally what many/most teen and not so teen males think but saying the truth is not popular with the American crowd. Araragi is also deeply separated socially from everyone around him and is somewhat suicidal; not so much because he wants to die but because he cannot see the point of living. Hanekawa Tsubasa is a girl who is intelligent, well mannered and attractive but is also filled anger and violence at times, often towards herself, and who also would like to break out of being a good little Japanese school girl.
Friends, I’m so thrilled to be hosting author Julie Czerneda today, I can’t even. I know ya’ll remember when I went absolutely nuts over her Species Imperative trilogy (biology FTW!), when I wrote an accidentally spoilery review of the most recent Clan Chronicles novel This Gulf of Time and Stars, and how much fun we had with hosting her for an AMA. Her newest Clan Chronicles novel, The Gate to Futures Past doesn’t hit bookstore shelves until September, but today is the big cover art release party! I’ll be posting throughout the day with more artwork and more inside scoop, but in the meantime, let’s here from the author herself about how she keeps track of this generation and galaxy spanning epic. . .
Holding Nothing Back
a guest post by
The room could be in any seedy backwater motel. Inside, however, is an open suitcase, its contents strewn over the unmade bed: three hats; four cell phones in their original packaging; a small hatchet, its blade edged in what looks like rust. Oh, and a lab coat, scrunched into a ball.
By the bed is a night stand; on it are pieces of what had been the hotel phone.
Protruding from the bathroom are a pair of dirty boots, toes up. It’s only then you realize they contain feet.
Two things just happened. You guessed what you’re reading: a murder mystery, with clues being presented. And, perhaps without even being aware, you began a story of your own, a plausible scenario based on this room.
And those feet.
Now comes the test. What’s next? If your scenario fits the rest of what you read, for this is a book, it’s gratifying—so long as you didn’t see everything coming. In that case, you’re bored silly and probably won’t finish reading. On the other hand, if there’s an abrupt departure from what you expected, well, that could be fun. After all, who doesn’t like a startling revelation to tingle the imagination and make you read faster and faster—
Today I’m thrilled to host Hugo Award winning author Jim C. Hines. I’ve had the pleasure to meet Jim at a number of conventions and local events, most recently at a book signing at my local independent bookstore. Jim C. Hines is most well known for his Goblin series, his Princess series, and his Magic Ex Libris series. You can learn more about Jim at his website and his blog, or by following him on twitter. You might also know him for his SFF Cover Art photoshoot project.
Oh, you don’t know Jim C. Hines? Well, first things first, go get yourself a copy of Libriomancer this instant. The third book in the Magic Ex Libris series, Unbound, comes out in January, and I am so geeked!!
But, back to today’s topic! Always interested in neat projects, Jim C Hines is about to be know for, erm, something else. His newest book, Rise of the Spider Goddess, hits bookstore shelves tomorrow (Amazon, Kobo, Smashwords, GooglePlay). In today’s guest post, he lets us all in on the little secret on what in the world he was thinking. (Jim didn’t give me a title for his guest post, so I had to make one up. Sorry Jim!)
This Book Admits its Bad. And That’s What Makes it So Good.
a guest post by Jim C. Hines
When Andrea and I were emailing about ideas for a guest blog post about Rise of the Spider Goddess, she came back with one of the same questions a lot of people have been asking: “What the heck were you thinking, Jim?”
She was much kinder in her phrasing, of course. But it’s a reasonable question. You see, this book is bad. It says so right in the introduction:
The book you’re about to read is bad. Bad like waking up at two in the morning because your cat or dog is making that distinctive hacking noise. Bad like your almost-potty-trained child walking out of the bathroom to announce, “I did finger-painting, Daddy!”
Remember Neil Gaiman’s American Gods? Give it a different kind of edge and then smash it up with a very contemporary urban fantasy that takes place in a IT department, and you’re on the right track for the premise of Alis Franklin’s debut novel Liesmith. I’ve a weakness for mythology retellings/mythology in the modern world, so she had me at “Norse”. click here to read an excerpt of Liesmith, and when you’re back, I’ve got a guest post below from Alis on how she fell in love with Norse mythology, and specifically, Sigyn.
Wicked Loki and Loyal Sigyn, Terrible and Victorious
by Alis Franklin
Ever since I was a kid, curled up behind a well-thumbed copy of the Dictionary of Norse Myth and Legend one of the old Viking gods always fascinated me more than the others.
It wasn’t Thor, god of thunder, or Odin, god of wisdom. It wasn’t Hel, goddess of death, or Frigg, the prophetess who spoke no secrets. It wasn’t even Loki, thief and trickster, and my second favorite god, as far as these things went.
Instead, it was Sigyn.
Who? you might ask. I wouldn’t blame you.
Here’s the funny thing about Norse mythology; the Vikings didn’t write it down. They weren’t a particularly literate society so, bar a few inscriptions on rocks and swords, we really don’t know much about what they thought of their own culture. Instead, most of what we know about them—in particular their myths and legends—was recorded several hundred years after the official end of the Viking era.
Mike Allen is editor of the speculative poetry and short fiction magazine Mythic Delirium and the acclaimed Clockwork Phoenix anthology series, and author of The Black Fire Concerto and his newest short fiction collection Unseaming. All around super talented guy and lover of all things creepy and scary, Mike was at the top of my list when I was looking for someone to guest post about the joys of reading scary books at Halloween time. Luckily, he wasn’t offended when I said “hey, you wanna write about creepy stuff?”. That’s how you KNOW this guy loves horror.
Continue reading, if you dare!
Building My Own Haunted House
by Mike Allen
At my house, every day is Halloween.
Little Red asked me to wax a bit about the pleasures of reading scary stories on All Hallow’s Eve — something I realized I couldn’t truly do, because I read scary stories all year around. And write them, too.
Anita, my wife, is often creating art in a similarly opened vein. My home office is full of skulls and plush monsters. (As well as piles of papers and books.) Halloween is simply when Anita makes the exterior decor of our house match the interior. We’re well matched that way.
Editor and author Henry Herz’s new anthology, Beyond the Pale, features short fiction from Jim Butcher, Gillian Philip, Saladin Ahmed, Peter S. Beagle, Jane Yolen and more! Beyond the Pale is available from Birch Tree Publishing, and is already getting glowing reviews from some of our community’s brightest rising stars. Henry was kind enough to write a guest post for Little Red Reviewer that contains excerpts from some of the stories (which is awesome unto itself!).
Prose Lessons from the Pro’s
By Henry Herz
Henry writes sci-fi and fantasy books for kids. His picture book Monster Goose Nursery Rhymes will be published by Pelican in 2015. He is editor of a YA fantasy anthology, Beyond the Pale, which will be available August 1.
Take a moment, close your eyes, and recall a few stories that truly engaged you as a reader. Now doff your reader’s hat, and don your analytical writer’s hat, You’ll recognize certain writing techniques reliably employed by the pro’s. Using senses other than sight, evoking emotions, using rich voice, taking action, and describing scenes vividly are powerful tools for creating characters you care about, immersing you in a fictional yet believable world, and raising the stakes for readers. All well and good, you say, but how do I master those methods?
Just as a lion is the product of all the zebras it’s eaten, a writer is the product of all the books he or she has read. Reading the works of skilled writers is a fabulous way to hone your craft. So, if you want to master the above techniques, a great place to start is to read examples of them. The following excerpts from Beyond the Pale, illustrate how to effectively employ these tactics.
Invoke Multiple Senses
The following scene from “Hooves and the Hovel of Abdel Jameela” by Saladin Ahmed does a wonderful job of pulling the reader into the story by using senses other than just sight.
Her voice is more beautiful than any woman’s. And there is the powerful smell of jasmine and clove. A nightingale sings perfumed words at me while my mind’s eye burns with horrors that would make the Almighty turn away.
If fear did not hold your tongue, you would ask what I am. Men have called my people by many names—ghoul, demon. Does a word matter so very much? What I am, learned one, is Abdel Jameela’s wife.
For long moments I don’t speak. If I don’t speak, this nightmare will end. I will wake in Baghdad, or Beit Zujaaj. But I don’t wake.
She speaks again, and I cover my ears, though the sound is beauty itself.
The words you hear come not from my mouth, and you do not hear them with your ears. I ask you to listen with your mind and your heart. We will die, my husband and I, if you will not lend us your skill. Have you, learned one, never needed to be something other that what you are?
Cinnamon scent and the sound of an oasis wind come to me.
I told my guest posters they could write about anything they wanted for Vintage Science Fiction month, so long as it was speculative fiction related and happened before 1979. I didn’t give anyone any specific direction, on anything. Ladies and gentlemen, today you are in for a treat. Brittain didn’t just write about one book, or one author. He went all out and read through the nominated and winning novels of the Hugo, Nebula and Locus awards of 1977.
1977: The Award Winners
by Brittain Barber
Brittain Barber is the o-owner of and main writer for the blog Two Dudes in an Attic, where we read Gary Gygax novels so you don’t have to. Scribblings on Two Dudes emanate from the Pacific Northwest and sit at the nexus of science fiction, fantasy, political science, Japan, music, and soccer. (This makes for a killer Venn diagram.)
When the invitation came to do a guest post during Vintage SF Month, I tried to come up with
something more entertaining than a simple book review of some cobwebby relic. Many of my posts tend towards aimless, politico-economic rambling, I quickly shot that down as requiring far too much research. Finally, I settled on the idea of looking at the award winners and nominees from a particular year; in this case, my birth year of 1977. (Does this make me vintage as well? I prefer to think otherwise.) (Also, I realize that the books here were all published in 1976, but we’ll just talk about them in terms of 1977, for simplicity’s sake.) The topic thus decided, I set about to read as many of the major books from the year as I could, in hopes of providing capsule reviews here. It is fortunate that 1977 was still a year of thin, concise volumes. I wouldn’t have been able to pull this off in an age when the average page count ticks up over four or five hundred.
My focus for this piece is what I consider to be the three big prizes of Western SF: The Hugo, Nebula, and Locus Awards. I read the winner of each and as many of the nominees as I could get my hands on. I skipped World Fantasy, Campbell, and a couple of others, but there may be time for a follow up later on. I also passed on short fiction in a bid to prevent this project from spiraling out of control. Fortunately, the nominee listings (and awards!) had considerable overlap. Starting with the winning books, below is a selection of the best and brightest of 1977. I may still ramble.
Where Late the Sweet Birds Sang by Kate Wilhelm – Wilhelm took home the Hugo and Locus with this book, a mix of elegy, apocalypse, and clones. The writing is lyrical and hypnotic, as Wilhelm manages to make her clones both sympathetic and wholly alien. I was disappointed in the end with the conflict she decided to make unavoidable and the results she made inevitable, but that is a matter of opinion rather than technique. I’m a little surprised that this book has faded from the SF consciousness a bit, as it appeared to make a splash at the time. It has also aged well, with little inside to date it. In fact, it may be even more relevant now, with cloning back in the public eye. Recommended reading and a worthy winner, I think. At the very least, I haven’t read anything else from 1977 that is clearly better.