Archive for June 2020
what’s this, a book review? I know, right?
Shorefall, by Robert Jackson Bennett
Published April 2020
where I got it: Received ARC from the publisher (Thanks Jo Fletcher books!)
I meant to reread Foundryside before reading Shorefall. But then i was like do I really have time to reread Foundryside? And I liked that book, but did I like it enough to want to reread it?
So I dived into Shorefall, with very, very fuzzy memories of Foundryside. I remember really digging the magic system, really liking Clef and his whole deal, being kinda meh on Sancia even though she has a tragic backstory and a metal plate in her head, and really digging the magic system. Yep, that’s about all I remember from the first book. I don’t remember all the details about Valeria from the first book, but she must have been really important. That said, I do NOT recommend jumping into Shorefall if you haven’t read Foundryside. (Altho I am SUPER curious about people who did read Shorefall first. Could they get into it? is this a series that can maybe be read in any order?)
Shorefall opens with Sancia, Berenice, Gregor, and Orso putting the final touches on some new invention they’ve created in their workshop. What exactly is this thing? First I thought it was some kind of printing press, then it seemed more like a magical photo copier, and finally I settled on that it was some kind of magical quantum button thing, that whatever one button does, the other button does it.
Even they have a tough time describing their invention, and that makes a specific merchant house even more interested in getting their hands on it.
Of course, getting their invention inside that particular merchant house is just the first step in their grand plan . . .
Something I’ve loved from the start of this series is the magic system. It functions sort of like computer programming – you etch a set of sigils, and lines of sigils become commands, and the commands that are etched into something, such as a metal plate, make that something want to break the laws of physics. Now, imagine if all the commands and how to combine them weren’t yet known, but scrivers messed around with things (a la mad scientists) to figure out new combinations that would make something work without it exploding. Larger discoveries effectively creating programming shortcuts, and new knowledge akin to a more advanced computer programming language. Oh, and there are no computers, and hardly any advanced technology. It’s all very Girl Genius, but with way less humor.
I was worried this book would suffer from “middle book syndrome”, and the book ended up being quite the opposite! In fact, in my opinion, Shorefall is all around a better book than Foundryside.
I *think* I was supposed to connect with Sancia, and really follow her plotline and be super interested in the politics of what was going on in Tevanne.
What ended up happening was that Sancia had a scene or two that tugged at me, and then I lost track of all the fancy merchant families, and then I got super invested in Gregor and Crasedes and Valeria. And then buckets and buckets of hella cool shit happened at the end of the novel. And I mean really, really hella cool shit!
my fave is problematic
Posted June 13, 2020
on:my faves are problematic.
they are my faves, and they are problematic. even after I write and read and reread this post, they will still be my faves, and they will still be problematic, and I have to be ok with that, because this is not a fave I’m willing to give up.
I love time travel. it is my super fave, i don’t plan to ever love it less than a bazillion hearts!! time travel is super problematic!
Like, it is my favorite trope in the whole world. travel to the past, travel to the future, take modern items to the past and bury them to be found later, omg, I can’t get enough time travel! Cheesy writing can be fixed, just add time travel! have no plot? add time travel, and I’ll forgive anything!
“what could possibly go wrong?” is the best way to write a story, and with time travel, every possible thing goes wrong, every single time! the person gets stuck in the past! they accidentally create a paradox! they realize their ancestor was an asshole! they go to the wrong time! the gizmo to get them back to the present gets broken! they are dressed wrong and someone thinks they are a witch! they hit their head and get rescured by a well meaning local and they have to escape the person’s horrible medical ideas! EVERYTHING goes wrong in time travel and it is THE BEST. and then 50 pages before the end of the book, they are able to come home safely and everyone (including me) cries.
I love the Back to the Future movies. I grew up with them, I was the perfect age when they came out. Michael J Fox is so puppy dog adorable.
I don’t remember which Connie Willis book this was in (To Say Nothing of the Dog, maybe?), but a bunch of historians at Oxford are going back in time to all different temporal locations, and it’s suggested that a particular historian go back to a particular time, and the immediate response is “No. he’s black. that era is a 10 for him, it wouldn’t be safe.”.
I’ve thought about that sentence a lot. Time travel isn’t safe for black people. That historian couldn’t do his literal job, he wasn’t allowed to do the job he had studied for, because it wasn’t safe for him to go places, so they didn’t let him for his own safety. Um, that super sucks.
A lot of the first time travel books and time travel movies I saw were white guys doing time travel. it was the 80s, i was limited to the movies my parents took me to, what was on TV, and what is in the youth section at the library.
the first time I read a time travel book where it was a woman who went back in time by herself, there is an invasion and she and one of her female neighbors are raped. the next time I read a time travel book where a woman went back in time by herself, for a while I was wondering “how is she going to protect herself against being raped? is time travel safe for her?”
i love time travel (no shit), so I wonder, would time travel be safe for me? I am a short woman. Pretend time travel was real. If i went back in time to the 1700s, would i be safe? would I be able to defend myself if someone tried to rape me? A lot of fantasy and historical fiction and time travel novels have taught me that women who are alone are simply put, not safe and shouldn’t expect to be safe. Sure, I guess I could go all protein shake and go to the gym 2 hours a day and turn into a five foot tall forty year old body builder, and then, sure, I could probably, maybe physically defend myself? if the guy was less than 250 lbs?
just like the black guy in that Connie Willis book, what eras and/or decades would be safe for me to go to? White guys can go back in time with no worries, but it’s dangerous for women and black people.
that’s problematic.
(and yes, I know plenty of you are saying “Andrea. this isn’t a big deal, why are you worried about it? this is just fiction, why are you making a big deal about it?” Because when you say “why are you making a big deal?”, what I hear is “why are you wasting my time with something that is unimportant to me”. because my experience in my life is different than yours, that’s why. because books affect me differently than they affect you, that’s why. And because sometimes it’s a good thing to ask someone “hey, what do you think about this”, and actually, fucking listen to what they have to say without shutting them down as soon as they say something that is outside your experience)
time travel is still my fave. Will I read the shit out of time travel books and acknowledge that they are problematic? YEP!
are there books where non-white-men travel in time? There sure are! will i still watch Back to the Future? sorrynotsorry YES i love those movies!
am i having a shitty couple of weeks right now? well actually, yes.
Because I haven’t posted in, holy crap, like a week, you get a MASSIVE review today. You’re welcome.
A Sinister Quartet (pre-order through Indiebound!) was originally planned to be a chapbook of two novellas by Mike Allen and C.S.E. Cooney. Thanks to scope creep, and Allen and Cooney both having other stories that they loved, the project grew into a quartet of creepy dark fantasy and horror. Something I’m only realizing right now, as I write this review, is that all of these stories deal with familial love. Sisters saving brothers, daughters saving parents, a foster daughter being loved and supported by her foster mom, a woman coming to terms with the death of her beloved sister. If it wasn’t for family love, none of these stories would have the emotional impact that they did. (huh, maybe that’s why horror affects us so much? it is loss of those we love and watching that loss happen?)
Part of me wants to tell you to read this collection in the order the stories are presented, so that you can move from least dark and scary to most dark and scary: Start with Cooney’s beautifully rendered fantasy “The Twice Drowned Saint”; then go to Jessia P. Wick’s “An Unkindness”, a dark fantasy of a sister trying to save her brother from the fae; from there go to Amanda J. McGee’s “Viridian”, a contemporary gothic horror of isolation and obsession; and from there go to Mike Allen’s absolutely horrifying and terrifying “The Comforter”. If you go that path, you’ll slowly ramp up from “fun, sorta creepy” to “not sure I should be reading this before bed”.
But, on the other hand, maybe you should save Cooney’s story for last. Because you see, the problem with reading her story first, is that you’ll be expecting everything else in this collection to be as good or better, and I’m sorry to tell you, but you’ll be disappointed. Let me put this another way: on a scale of zero to ten, the Wick, McGee, and Allen are all easily a score of 7 or above. On a scale of zero to ten, the Cooney is a twenty, easily one of the best things I’ve read this year.
As a compromise, I’ll save my thoughts on Cooney’s story for last. Scroll to the end if you want to read that part first.
In Jessica P. Wick’s “An Unkindness”, the story opens with Ravenna concerned about the personality changes in her other brother, Aliver. The two of them were besties when they were kids, why is he avoiding spending time her and sneaking out in the middle of the night all of a sudden? She watches his bedroom door, only to see dark shadows doing impossible things. She follows him, only to lose sight of him. He pushes her away, he nearly begs her not to follow him, and being a bored, adventure-craving, lonely younger sister, she completely ignores his requests to be left alone. Not only does Ravenna miss him, but she feels left out. She follows him into their estate’s formal gardens, and when he dives into the fountain and doesn’t resurface, she follows. What comes next is a wonderfully dark and creepy intrusion into a fae (?) world. While reading this, I kept wanting to yell at Ravenna “don’t eat anything there!!! You’ll be stuck there forever if you do!”.
The story is told in short chapters that have cute/funny/entertaining names, and I really enjoyed Ravenna’s voice. I won’t tell you much more, for fear of spoilers, but Ravenna’s experiences in the Fae lands (not sure if it is specifically Fae? I don’t remember if the author specifies it?) where a bucket of fun to read, she’s not entirely sure what’s going on, she doesn’t know if conversions will trap her, or why certain people do or don’t want to talk to her. If you’re a fan of stories of “don’t make bargains with fairies!!”, you’ll get a kick out of “An Unkindness”. And I do love stories like this, where people go to a Fae/Sidhe type world and have to manage to get out safely. And it was cool to read a story about a sister wanting to save her brother!
It took me a little while to get my claws into Amanda J. McGee’s “Viridian”, but once I got into the groove of what was going on, hooo boy was this a killer story! Lori has moved to a small town in New England to start over after her sister Annie’s death. She’s able to get settled into a small apartment, and she gets a job at the local cafe. A few locals are happy to befriend the newest member of their small, isolated town. Maybe one day, Lori will finally feel grounded enough to come to terms with Annie’s death, and be able to grieve. And then Lori meets Ethan, who sweeps her off her feet. A wealthy widower, Ethan yearns for a woman he can take care of, someone who will bring warmth into his home, someone who will be there to welcome him home when he returns from business in the big city.
With gothic echoes of Jane Eyre (but a very, VERY different ending!), I quickly found myself whipping through the pages of “Viridian”. Lori twigs to the fact that something is very wrong, but she’s already in too deep, can she escape on her own? Ethan’s house is so far out in the woods there’s no cell service, and she never did put snow tires on her call. As he isolates her further and gaslights her, she feels her self confidence unravelling. Personally, I didn’t like Lori. I thought she was too trusting, I wish she’d just get a therapist to help her with her grieving and guilt. But? It didn’t matter that I didn’t like her as a person, I wanted her to win! I wanted her to escape Ethan and the other awful members of his household and his terrible plans for her!! According to the “about the authors” in the end of the collection, “Viridian” was inspired by “Bluebeard”. But still. . . reading this makes me want to read Jane Eyre.
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