Archive for the ‘Benjanun Sriduangkaew’ Category
Clockwork Phoenix 5, edited by Mike Allen
Available April 5, 2016
Where I got it: received review copy from the editor
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Some people describe anthologies as a journey. I’ve been known to compare them to techno music. But today, I’d like you to think about anthologies as restaurants – the stories are the dishes on the menu, and the editor is the restaurateur. Some restaurants have great atmosphere, some restaurants you only like a few dishes on their menu, or maybe there is a great Sunday brunch, or maybe it’s just a super convenient location and the food is pretty darn good. Think about restaurants you’ve returned to again and again. There was a reason, right?
Some restaurateurs love attention for one particular dish their restaurant specializes in, or whatever. Maybe they are the King of Deep Fried Butter, or the Home of the Original Whiskey Waffles. Maybe they did a Taco throwdown with Bobby Flay or something.
And then there is that secret restaurant. The one all the locals know about. It doesn’t look like a fancy place, but every dish you’ve had there has been amazing. Sometimes the flavors are complex, sometimes they are simple. You go as often as you can, with the goal of trying every dish on the unique menu before the menu changes, because the chefs and owners are always trying something new and different, because the rules don’t apply here. There are no rules, there is no pretension, there is no ego, there are no signs proclaiming fame or autographed photos of Food Network personalities. But, omg, the food! It is perfection on a plate! And you feel better about yourself and your life and the world every time you go there. Clockwork Phoenix is the name of this restaurant, and Mike Allen is the restaurateur. One sublime dish after another, and yet I still have my favorites that I keep coming back to.
My Best Reads of the Year 2014
Posted on: December 19, 2014
2014 has been a pretty good year for me. Personally, I’m damn impressed with how many of these books were actually published in 2014. As a bonus, there’s even a few novellas and short stories in here. In no particular order, here are my favorite reads of 2014!
Favorite Novels:
City of Stairs by Robert Jackson Bennett (2014) – that this book is on my list should surprise no one. And if you haven’t read it yet, seriously, get with the program. This is one of those amazing books that defies genre categorization, it just *is*. To give you a big picture without spoiling anything, it’s about watching your worldview dissolve before your eyes, and understanding that games can be played with many sets of rules. Also? it’s simply fucking amazing.
Gemsigns by Stephanie Saulter (2014) – This is probably the most important book I read in 2014. Remember when Cory Doctorow’s Little Brother took high school government classes by storm? I wish the same for this book. Gemsigns touches on enforced marginalization, building (and breaking down) cultures of racism and classism and fear, and religiously and politically promoted hatred, and handles it in a blunt and emotional way. Also? fucking awesome. And for what it’s worth, I cried at the end.
Annihilation by Jeff Vandermeer (2014) – I’ve been a Vandermeer fan for a long, long time (yet somehow I can still eat mushrooms). Annihilation was strange, surreal, and seemed to be magnetically attuned to me. The words in the tunnel rang for me like a tuning fork. And there was just something about characters who don’t have names. I am a jerk, however, because I own but haven’t yet read the third book in the series.
As I mentioned in my review of Scale-Bright, there are three short stories that are connect to and have been included with the novella. Some of you have already seen these, as “The Crows Her Dragon’s Gate” was published in Beneath Ceaseless Skies in 2013, “Woman of the Sun, Woman of the Moon” was published in GigaNotoSaurus in 2012, and “Chang’e Dashes From the Moon” was first published in Expanded Horizons in 2012. The short fiction take places chronologically before Scale-Bright, and they are the mythological foundations for what occurs in Sriduangkaew’s newest contemporary urban fantasy.
The too long didn’t read of this review is that if you aren’t reading Benjanun Sriduangkaew, you need to be.
No bones about it, these short stories are gloriously bewitching, and the more I read them, the more they glowed. As with all mythology, these are stories are that coming to me through the eras of history. Like the dying light of a super nova that takes generations to reach me, being warped and dimmed by clouds of dust and time along the way. But this light, was different. These are characters who are saying “this is my real story, this is what really happened, this is the true color and depth of my light, of my life”. In these retellings of how Xihe gave birth to the sun, of how Houyi the archer God shot down the suns, and of how Chang’e became the Goddess of the moon, Sriduangkaew has done the impossible: she’s convinced Goddesses who exist on high to tell us lowly mortals the silken secrets that shine deep within their hearts.
Scale-Bright by Benjanun Sriduangkaew
published August 2014
where I got it: received review copy from the author (thanks!)
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Niall Alexander’s recently reviewed Scale-Bright on Tor, and he suggested reading the accompanying and related short stories first. Benjanun Sriduangkaew recommends reading Scale-Bright first. I followed both of their advices. I read the short stories first, but I’ll review the novella first. Check back next week for a review of the short stories that are published along side and birthed Scale-Bright, because they are glorious all on their own, in a completely different way. Let me give you a little teaser right off the bat: if you like Catherynne Valente, you’re gonna love Benjanun Sriduangkaew.
Those familiar with Chinese mythology will recognize characters and words, will smile out of the corner of their mouths because they know what’s coming. Woefully ignorant (yet less so, now) of Chinese mythology, all these characters and words were new to me. Wikipedia answered my most basic questions about Houyi and Chang’e, but the words I didn’t know, words like banbuduo, mowhab and daihap, had to be figured out contextually. Those were the words that tasted the best. For those readers who would prefer some background before diving in, Sriduangkaew wrote a great guest post over at SFSignal that is a cheat-sheet of sorts.
The stories she was raised with are real if not always told correctly, and the movies and plays only told the tiniest part, and Julienne, a mortal woman in Hong Kong, has been invited into mythology. Orphaned and then found by her aunt Chang’e and Chang’e’s wife Houyi, Julienne knows no one would believe her if she said her aunts were Immortals. It’s a tenuous yet amusing dynamic between the three women – Julienne is a little embarrassed about what she sees as her personal failings, and her aunties are fiercely proud and protective of her. They give her the tiniest of sacred protections, and she unknowlingly helps them navigate the concept of “family”. There is more than the barest undercurrent that this is the first time in Julienne’s life that her sexuality has not been questioned or judged, that she’s being completely and unconditionally accepted for who she is.
Julienne knows she is on the edge of mythology, that her aunties are the women to whom these stories actually happened to, that to them they are not stories but history, that Houyi is still paying for the crime of shooting down the suns, that Chang’e is making up for all the time she lost when she was imprisoned on the Moon. But I’ll talk much more about those two ladies later, as Scale-Bright is Julienne’s story.
The Apex Book of World SF 3, edited by Lavie Tidhar
published June 2014
where I got it: received review copy from the publisher (Thanks Apex!)
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This newest anthology from Apex opens with poetic visuals and then gently whirls around the planet – touching on ghost stories, political skewerings, the surreal and the horrific, and finally the whimsical. This is Lavie Tidhar’s third World Book of SF, and if you are looking to expand your international speculative fiction reading, this series of anthologies is a perfect place to start.
I love that we are getting more and more World Science Fiction. When I read the first Apex Book of World SF, I think I recognized two authors in the Table of Contents. I’m not suggesting you read a particular anthology only because you recognize names in the ToC, but my point is that it’s nice to see more and more non-anglo and non-Western authors known more widely every year. You’re sure to recognize a number of authors in the ToC of the third volume in this series: Benjanun Sriduangkaew is on this year’s Hugo ballot, Karin Tidbeck garnered a lot of attention for her 2012 collection Jagannath, Xia Jia and Ma Boyong’s stories were originally published in Clarkesworld, and Biram Mboob and Uko Bendi Udo’s stories first appeared in Afro SF.
For the most part, the stories are subtle and understated, often with meanings that bloom in your mind a few hours or days after the reading, (excepting of course, City of Silence, which bashes you over the head in a darkly humorous way with what’s going on). The prose is often lush and poetic, with slang terms that taste exotic and maywill have you googling a word to learn what it means. And it’s ok if you don’t know all the words you come across. Aren’t we reading science fiction because we want to learn something new?
Clockwork Phoenix 4, Edited by Mike Allen
Available July 2013
where I got it: received review copy from the editor (thanks Mike!!)
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What kind of stories will you find in Clockwork Phoenix 4? Only those are that are magical, imaginative, heartwrenching, just plain bizarre, forward-looking, backward-looking, biological, romantic, hopeful, darkly funny and openly frightening. All the words that describe the best speculative fiction you’ve ever read apply. In fact, if this isn’t the epitome of speculative fiction, I don’t know what is.
Mike recently did an interview with me over at BSBB, and I asked him about the job of an editor. Among other things, he described it as being similar to being the director of a play. Did you recently see a play or a movie that was more than the sum of its parts? How about a musical that was only 2 hours long, but seemed to have weeks of song in it? That’s what Clockwork Phoenix feels like, like time has been frozen, allowing Allen to cram far more beautiful strange things than the laws of physics should permit in less than 300 pages. Allen is a dude who really, really knows how to direct.
I used to always read anthologies in the order the stories were presented. I started liking anthologies much better after I decided I’d read the stories in any damn order I wanted (usually starting with the shortest). I know Mike Allen put these stories in this particular order, for a particular reason, and by reading them out of order it’s like I’m going through his carefully curated museum backwards. To be even more contrary, the order I’ve reviewed a handful of stories in isn’t the order they were presented in either.
I’ve not read much from most of the authors in this collection, so I greatly appreciated the “Pinions” section in the back, where each other offers a short bio, and more importantly a little snippet about how their story came to be. It was very nice to read that Corrine Duyvis is an arachnophobe.
Here are my thoughts on a handful of selected entries. This is just the smallest taste of what awaits you within these pages. Where available, click on the author’s name to visit their website.
The Old Woman With No Teeth by Patricia Russo – The Old Woman has hired someone to transcribe her story, but since he keeps getting things wrong she interrupts and tells him what he aught to be writing down. Their interaction is hilarious, but her story starts out sadly. The Old Woman is very lonely, and wants a family. She goes into the city to find orphans who might want to be adopted, and instead finds another population that is in more dire need of being wanted. It’s a little jarring how the story goes from a fantasy-feel to a matter-of-fact feel, but in the end it all works out.
Beach Bum and the Drowned Girl by Richard Parks – what happens when two story cliches meet each other? Beach Bum is the mysterious guy the female protagonist always meets in the story, maybe to fall in love with, maybe to learn something from, maybe to be hurt by, maybe just to watch. Drowned Girl is the dead girl the investigator always finds, the mystery to be solved, the child to be saved. And who knows? Maybe Beach Bum and Drowned Girl can help each other out and learn from each other. It couldn’t hurt to chat with another cliché, could it?
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