Archive for the ‘Apex Magazine’ Category
Did you know the Apex Magazine Subscription drive is going on right now? More subscribers means more fiction for you, and a higher pay rate for the authors who create all that amazing fiction.
To send some happy attention towards the Apex Mag subscription drive, here’s an Apex Magazine crossword. 85% of the answers to the crossword can be found at the Apex Magazine back issue site, 15% can be found on the Apex Publications site, and 15% are just random words I used to make the puzzle (mostly) work. Put an answer or two in the comments and I’ll enter you in my international give away for a subscription to Apex Mag. You can read the magazine on your kindle, nook, smartphone, tablet, and probably some other gizmos I’m not even aware of.
Rules for the Apex Magazine 1 year subscription give away:
- you need to reside on planet earth
- you need to be interested in short fiction that is surreal, shocking, and unexpected
you need to put an answer to one of the crossword clues in the comments.You need to comment that you’d like to be entered into the give away. Putting a puzzle clue answer in the comments is cool too, but not required to enter.
I’ll randomly choose a winner from the comments on November 7th. When commenting, please leave your e-mail, twitter, or some method by which I can read you.
1. March Bear story
5. Author ____ Pletsch
8. Poem by John Yu Brascum
As many of you know, I’m a non-fiction contributor at Apex Magazine. I interview authors, and occasionally do some other fun stuff. If you’re a spec fic reader who is always looking for something a little weird, a little different, something unexpected, Apex Magazine is for you! Jason and Lesley get this incredible magazine out the (digital) door every month, jam packed with surreal and atmospheric fiction, speculative poetry, author and artist interviews, and essays. But that’s not enough for Jason and Lesley. No, they want to bring you more fiction! more poetry! more non-fiction! For the next 2 weeks, the Apex Subscription drive aims to do just that: gaining more subscribers means more people will enjoy this magazine every month, which means funding for more Apex awesomeness. But why don’t I let Jason and Lesley tell you more? And why don’t we do that while surrounded by gorgeous Apex cover art?
oh, and by the way, there is something really awesome (and a little crazy) coming later this week. It involves you putting your thinking caps on, and me giving away a subscription to Apex.
Andrea: First things first. How did you each get involved with Apex Magazine? What are your responsibilities at the magazine?
Jason Sizemore: I’m the creator, owner, editor-in-chief, and He Who Writes the Checks. I started Apex in response to an early midlife crisis. Here I am, truly in midlife, and I’m still doing it.
Lesley Conner: I’d been working on the book side of Apex Publications for a few years when Cameron Salisbury decided to step down as the managing editor of Apex Magazine. Jason had recently stepped back into the editor-in-chief role and we already knew that we work really well together. He asked me if I’d be interested in filling the vacancy, and I immediately said yes.
As for what I do … a little of everything. Except write checks! That is all Jason!
Andrea: What goals are you hoping to reach with this subscription drive?
As many of you know, I’m an interviewer over at Apex Magazine. I get to read some stories way, way ahead of time, and then interview the author. As one of the magazine editors put it to me when I first came on board “ask questions that are compelling. Make readers want to read the story”. Thanks to that piece of advice, I think my interviews across the board have gotten better. Working with Apex is an amazing experience.
Along with the interviews I conduct, much of Apex Magazine’s fiction is available for free, online. But each issue also includes special content, such as a bonus story or article, or an excerpt from a novel that’s available to subscribers only.
Know someone who keeps saying “I should really read more short fiction, I just don’t know where to start”? Are you planning to get an e-reader for a friend or family member for the holidays? Apex Magazine makes a great gift! In fact, Apex is currently running a subscription drive, which means you can get a year’s subscription for only $17.95. It’s the gift that keeps giving. It’s cheaper than dinner and a movie, and will go further than a B&N gift card. Also? Read Apex Mag and you’ll have the opportunity to say “oh yeah, I read all those award winning stores and editors before they were famous”. Because all that fiction? All that artwork? That costs money. And like any business, the more funding Apex Magazine has, the more fiction, poetry, non-fiction and artwork they can purchase.
Wanna give Apex a whirl? In celebration of their subscription drive and in celebration of the start of the giving season, I am giving away two gift subscriptions to Apex Magazine. All you need is an e-mail address, and to be a resident of planet Earth. Leave a comment down below, and leave me some way to reach you if you win (e-mail or twitter). I’ll be choosing two winners on Nov 10th.
Still not sure? Here’s a taste of what Apex brought the world in the last year or so:
I love this cover art. I can trace the lines with my finger and discover all sorts of directions and shapes. Among other gems, this issue included an excerpt of Lavie Tidhar’s A Man Lies Dreaming, Elizabeth Bear’s “Tiger! Tiger!”, short fiction from Chikodili Emelumadu, Ginger Weil, and Rich Larson, and award winning fiction from Apex Mag‘s Steal the Spotlight contest.
Today I’m joined by Michael Matheson for a guest post on his experiences as a slush reader for Apex Magazine. The question I posed to him was this:
What’s your favorite part of slush reading, and why is having a slush team important to the success of a short fiction magazine such as Apex?
I’m not entirely certain I would restrict myself to one thing that I love about slush reading. Part of what I enjoy about the process is the thing that, I would think, most slush readers/submissions editors enjoy: that extraordinary rush one feels at finding something absolutely brilliant in the submissions pile of whatever magazine we work for. Being able to find a wider audience, or at least vie for the work to do so, by bringing it to an editor’s attention. That’s especially true if it’s the work of someone who’s not yet had their fiction (or poetry, or critical non-fiction, depending on venue) published, or who hasn’t managed to crack a semi-pro or pro venue yet (which is a more arbitrary goal in terms of publication, but which does bring with it a much larger audience than smaller, less visible venues—and the monetary incentive is also nice). That discovery of brilliant work that the world needs to see, right this very moment, is always worth the wait.
Now, saying that can potentially sound dismissive of the rest of the submissions pile. Which is absolutely not the case. Everything that comes through the pile is someone’s hope, or aspiration, toward having something of theirs published. Perhaps it’s a particular story they badly want to share with the world; something quite personal they need to talk about and start discussion with. Perhaps they just want to be published for the sake of being published. Some will be looking to just get that one piece published to see if they could, while others want to build a career out of the thing and this is their jumping off point, or even another step along the way. All of those stories are worth seeing. They’re all parts of someone’s journey toward wherever they’re going with their writing.
At a venue like Apex where we don’t currently offer feedback, reading submissions is more of a tacit acknowledgment of someone’s hard work, before you send them back on their way without really having a chance to speak to them when they’re being rejected. It’s not quite as involved a process as a rejection is from a market that has the time to offer feedback. Unfortunately, like most pro markets, Apex receives far too many submissions to write feedback for each. Even with more than a dozen (I believe we’re currently at fifteen, or sixteen submissions editors) people working the slush pile, there simply isn’t enough time to do so given the number of submissions we see in the course of a month. Let alone the bulk of material that comes in over a year’s time.
they don’t wanna brag, they don’t wanna boast, but these folks, they like
(with never ending apologies to Heywood Banks)
As part of Apex Magazine’s Operation Fourth Story (my recent review and learn more and win stuff!), Becky Allen, Anika Dane, and Caroline Pruett have stopped by to tell us more about what they do behind the scenes of Apex, why it’s important, and what they enjoy about it. In a few days Michael Matheson will stop by with his thoughts. I always enjoy these behind-the-scenes things, don’t you?
okay ladies, what’s your favorite part of slush reading, and why is having a slush team important to the success of a short fiction magazine such as Apex?
What’s my favorite part? My favorite part has to be the diversity of ideas that people build their stories on. I’ve been reading sci fi and fantasy for most of my life, and sometimes when I pick up books it feels like I’ve read it all before. They’re genres with well-worn tropes. But, to my great delight, the majority of submissions we see are more than that. Often they’re twists on tropes, but still structured around something fresh, wrapping a delicious trope around an original, chewy caramel center. Seeing the different ways people tackle familiar ideas is fascinating and exciting.
I’ll add this, too: I love reading the slush because I’m consistently impressed by people who can fit a whole story into such a short format. I’m incredibly verbose myself and have never been able to write short stories, but find the feat of fitting a beginning, middle, and end, plus world building and a character arch, into 5,000 words, to be remarkable.
this blog post is part of Apex Magazine’s Operation Fourth Story. If Apex picks up enough new subscribers this month, they’ll be able to include a fourth original story in future issues, and how awesome would that be! Click here for more info about Operation Fourth Story. Already a subscriber? click here. But don’t just take my word for it, check out these other recent Apex Magazine blog posts:
Books, Bones, and Buffy interviews Cameron Salisbury, Managing Editor
Two Dudes in an Attic reviews Issue 55 (Dec 2013)
Bibliotropic reviews Issue 58 (March 2014)
Lynn’s Book Blog reviews issue 57 (Feb 2014)
Over the Effing Rainbow reviews issue 59 (April 2014)
Beauty in Ruins reviews issue 54 (Nov 2013)
Genre-Bending reviews issue 55 (Dec 2013)
new! Bibliosanctum reviews issue 58 (March 2014)
And for those of you who would like to take my word for it, here are my thoughts on issue 58, the March 2014 issue:
I’m yet another newbie when it comes to short fiction magazines. I’ve subscribed to Asimov’s for maybe two years now, and have picked up the occasional promotional issue of short fiction magazines at conventions and bookstores and such. But these new fangled electronic magazines you say? Read it on my phone or e-reader, you say? say WHAT?
Once I got over the omg this magazine is on my phone thing, I suddenly realized omg this magazine is on my phone, this is wonderful! I don’t need to worry about it not fitting in my purse or getting all mangled in my purse (a part of me is still mourning that poor, poor issue of Asimov’s that I shoved in my purse and it got completely mangled by my keys), or it getting soaked in the mailbox (the fate of too many Asimov’s). okay, so having Apex Magazine on my phone is pretty neat. And hello gorgeous cover art! Julie Dillon is one of my favorite artists! ok, so it’s pretty to look at, as portable as chapstick, and easy to navigate, but what about what’s in it?
Each issue of Apex Magazine includes a short note from the editor, a few short stories, poetry, interviews, and a non-fiction essay about issues that are near and dear to genre fans. The March issue opens with a short essay from Editor Sigrid Ellis (who I recently interviewed), where she talks about crossroads, the fine line between flying and falling, thresholds, and breaking through those thresholds, deciding if we are falling or if we are no, flying. She’s not just randomly talking about decision trees, she’s introducing you to what lies in the pages ahead. Characters in transitions, characters who are standing at the precipice, people at the cross roads of what will define the rest of their life. And you know what? Falling or flying, it’s up to the person in the air to decide which verb applies to them.
As part of Apex Magazine’s Operation Fourth Story (learn more here), I was lucky enough to score an interview with Sigrid Ellis, the Editor in Chief of Apex Magazine. You might know her from Chicks Dig Comics, Queers Dig Timelords, or Pretty Deadly. So, whaddya say, wanna better get to know Sigrid Ellis? I do!
Little Red Reviewer: How did you come to be involved with Apex Magazine?
Sigrid Ellis: I was asked.
I had worked with Lynne and Michael Thomas on other projects – co-editing Chicks Dig Comics with Lynne, and co-editing Queers Dig Time Lords with Michael. I liked working with them and I respect the work they do. When the opportunity arose to be a submissions editor for Apex, I was happy to help out. At the point where Lynne was looking to move on to other projects, work on Queers Dig Time Lords was just wrapping up. The timing worked out for everyone!