Archive for the ‘Apex Magazine’ Category
When the Apex Magazine Revive the Drive hit $3500, it unlocked me doing a No Boundaries interview with Jason Sizemore, editor-in-chief of the magazine. The fundraiser reached that goal a few days ago, and we recorded the interview the other night. I had a very short window of time to get questions from Jason’s friends, co-workers, his nemesis, and I even got a few questions from my friends who have no idea who he is.
What’s a No Boundaries interview? It’s where I could ask Jason absolutely anything, and no topics were off limits. I did make him blush, but we didn’t get it on camera.
Enjoy the interview! And head over to the Apex Magazine Revive the Drive store, pick yourself up a subscription, a subscription bundle, a signed manuscript, short story critique, mystery boxes, book bundle, home made crafts, and brand new in the Drive store are – holy crap there is a copy of The Weird Compendium that is signed by Ann and Jeff Vandermeer! The Drive runs through April 17th, and the funds raised will allow Jason and team to purchase more weird surreal fiction, to pay artists and writers more, and to give fan of the magazine more of what they’ve come to enjoy. A fitting anniversary for a magazine that’s coming up to it’s 100th issue, wouldn’t you say?
oh, anyway, here’s a link for the interview. I don’t know how to embed a 22 minute video into a WordPress article.
click the link, don’t click this picture. the picture doesn’t go anywhere.
What did we talk about? Everything from heated toilet seats, to llamas, to something embarrassing he did at a Con, to who he wants on his Apocalypse team, to famous Apex parties (lots of people wanted me to ask him what’s in the famous Apex Party Punch!), to books he wishes he could experience for the first time. And yes, we even talked some serious stuff about Apex sales and editing.
Ursula Vernon’s short story “The Tomato Thief” from Apex Magazine issue 80 is on the Hugo Ballot
Rosewater by Tade Thompson is on the Locus Annual Recommended Reading List
We’re getting close to the halfway point of the Apex Magazine Revive the Drive, (and holy cow have you seen the awesome stuff in the Drive Store?!?!?!) so let’s catch up with Editor in Chief Jason Sizemore and Managing Editor Lesley Conner! Jason and Lesley let me pick their brains, and it is very important that the resulting document they sent me back was exactly 666 words! Now that I’ve wrecked that word count with an intro and outtro, let’s get to the interview!
Andrea: I really loved the print edition of Apex Magazine:SFFH Volume 0. What needs to happen for there to be more of these?
Jason: Glad you liked it. I kind of did it in a nostalgic cloud for the old Apex Science Fiction and Horror Digest of yore.
Like most things, it comes down to time and money. I don’t expect the print edition to make Apex the big bucks, but it has to at least pay for itself and make enough profit for me to buy a bag of Nate’s Coffee.
Andrea: How many short story submissions do you get in a month? Are there certain times of the year when you get way more submissions, or times of the year when the quantity of submissions dip?
Lesley: We average between 800 and 1,200 submissions a month. We definitely get more submissions in January and right after we open after being closed for a while. Other than that, the rate at which we receive stories seems to be pretty constant. Apex Magazine is typically open 9 or more months out of the year, so yeah … we read a LOT of stories. Good thing I love it!
Andrea: When you’re reading a submission, what makes you say “I gotta buy this story!”
Jason: One of the things I’m proudest of is how well Apex Magazine has branded itself. So many of our fans and readers tell me that there is a certain…tone or theme that makes our original fiction standout as an ‘Apex story.’ Writers who read our zine have a huge advantage over those that don’t for that reason. Certain writers from the get-go tap into this with ease: Rich Larson, Lavie Tidhar, Mary Robinette Kowal, Ursula Vernon.
I’m big on ideas, characterization, and symbolism. I like stories that carry an edginess. Stories that can tap into my emotions are particularly great, as I’m a rather emotionless editor (okay…this is true of most editors).
Lesley: Stories that evoke a strong emotional reaction definitely grab my attention. Also, great characterization and a since of purpose. If I finish a story and immediately want to read it again, then I’m definitely sending it up to Jason.
Andrea: What are you hobbies when you’re not working on the magazine?
Jason: My favorite hobby is giving Lesley Conner a hard time. Other hobbies include chasing Pumpkin the Apex Cat around the house, playing video games (it’s my mindless escape), ranting about the inequities of life, and reading (of course).
Lesley: When I’m not wearing my Apex editor hat, you can often find me doing something cool with my Girl Scout troop. Whether we are camping, going on trips, making a horror movie, baking goodies for our local police officers, or volunteering at the food bank, the girls in my troop really know how to keep me running!
If I have a break from both Apex and Girl Scouts, then I’m doing something … calmer. Reading, hiking, yoga—things that are nice and relaxing amid my chaotic life.
Andrea: Who are some of your favorite authors?
Jason: Some favorite writers include Nick Cutter, Ben Winters, Nisi Shawl, Cat Valente, Cherie Priest, and Nick Mamatas (but please don’t tell him). My writer crush is Jacqueline Carey.
Lesley: How much room do I have to answer?
For short fiction, I adore Rich Larson, Damien Angelica Walters, E. Catherine Tobler, Douglas Warrick, Sarah Pinsker, A. Merc Rustad, Iori Kusano, James Beamon … There are so many fantastic authors writing really stellar short fiction right now; I could go on and on. For longer work, I will pick up anything and everything by J.F. Gonzalez, Sarah Pinborough, Cherie Priest, David Wellington, Shirley Jackson, and Katherine Dunn. I’ve recently read books by Consuelo Saah Baehr, Laura Hillenbrand, Fredrik Backman, and Paolo Bacigalupi and really enjoyed them so I’ll definitely be looking for more.
… I may have a slight reading habit.
Andrea: Thanks Jason, Thanks Lesley! I really have no idea how those to do it. They must have some kind of time creation machine that lets them have 32 hours in each day.
Hey, did you know? The $3500 award in Revive the Drive is me getting to
harass interview Jason over Skype! Which means I need all sorts of fun questions. The above interview was informative and all, but those were some gentle questions, wouldn’t you say? Give me some suggestions of both heavy duty and crazy things to ask Jason! If the video goesn’t go viral on YouTube, we’ve failed in our mission!
I’ve been involved with Apex Magazine since sometime in 2014. I met Jason Sizemore and Lesley Conner at a convention, we hit it off, I did some slush reading, and before I knew it I doing author interviews in the magazine every month.
Getting to read someone’s forthcoming story months ahead of time, researching the author, putting together engaging interview questions, writing an intro that hopefully gets your attention . . . if you’re a nerd like me this is the best gig ever! And it really is the best gig. I’ve gotten to interview authors such as Nisi Shawl, John Hornor Jacobs, E. Catherine Tobler, A. Merc Rustad, Benjanun Sriduangkaew, Ursula Vernon, Chikodili Emelumadu, Brian Keene, Damien Angelica Walters, and Seth Dicksinson, just to name a few (and I realize I’ve just named a bunch of my favorite authors, as well. bonus!).
I know from the outside, it looks like Apex Magazine magically comes together every month, but it isn’t magic. It’s a lot of time, passion, and hard work from the people involved. And I’m just the smallest, tiniest part of how the sausage gets made.
Apex Magazine is currently in their 2017 subscription drive. What’s a subscription drive? It’s where you can buy subscriptions (now only $17! Less than a $1.50 an issue! like, you can’t get a cup of decent coffee that cheap), you can buy stuff (artwork! signed books! handmade blankets and hats! critiques!), Lesley Conner will send you an awesome postcard! And there are stretch goals for more stuff. Reaching $10K means the magazine can pay their authors more, buy more stories, hire another editor, and do all sorts of amazing things.
What’s in it for you, you ask? When stretch goals are reached, EVERYONE gets to enjoy the rewards! including:
- more awesome fiction from Tade Thompson! You know, that guy who wrote Rosewater, one of the most unique alien invasion stories I’ve ever read?
- Jason and Lesley torturing and teasing each other about It Follows.
- Me having the opportunity to ask Jason all sorts of goofy and embarrassing questions over Skype.
- Apex donating convention memberships and badges to Con or Bust
- more fiction from Delilah Dawson, Cherie Priest, and Jacqueline Carey!
There’s about a bazillion more stretch goals, but those are the ones that will benefit YOU, as a magazine reader, the most. Oh wait, you’re not a reader, you’re an author or an artist? Stretch goals for you include paying you more money.
the first stretch goal, has already been unlocked, so you better go vote in who is more adorable – Oz the dog or Pumpkin the cat. I think I’m gonna have to snuggle with both of them for at least 3 days before I can come to a decision.
Some of you already read Apex Magazine, or other online magazines such as Lightspeed, Uncanny, Beneath Ceaseless Skies, or others.
But some of you aren’t onboard with electronic magazines, and that’s totally OK. You’re more the Magazine of Fantasy and Science Fiction and Asimov’s type. Trust me, I get it. I’m all about teh dead trees. And I have something just for you!
Apex SFFH: Issue Vol 0 – this is a gorgeous print issue, a sampler of 2016. It includes essays, short stories, novel excerpts and interviews, and can be yours for only $8! And oh yeah, I’m in it! As a HUGE fan of dead tree magazines, I am a cheerleader for the Print Issue. I don’t know how many Jason needs to sell for it to be worth it for him to print more volumes, but I want to get there. Getting Apex (hi Jason!) to do a dead-tree full length sampler once a year is a personal goal of mine.
Apex prints dead-tree versions of anthologies and novels too! Imma make this super easy. Here are my top pics of Apex print copy goodies: the just mentioned Apex SFFH: Issue Vol 0, Rosewater by Tade Thompson, Shine Your Light on Me by Lee Thompson, Stay Crazy by Erica Satifka, The Best of Apex Magazine, The Apex Book of World SF series, and For Exposure by Jason Sizemore.
a year’s subscription for less than a cup of coffee per issue (and an interview by yours truly in every issue!)
kick-ass print full-length print sampler available for $8 (also, I’m in it)
there’s a stretch goal where I get to ask Jason a bunch of goofy and embarrassing questions
better pay for writers and artists in the magazine
if you don’t care about any of that stuff, go check out some sweet anthologies and novels printed by Apex.
ok, so what are you waiting for? go forth and Apex!
Did you know the Apex Magazine Subscription drive is going on right now? More subscribers means more fiction for you, and a higher pay rate for the authors who create all that amazing fiction.
To send some happy attention towards the Apex Mag subscription drive, here’s an Apex Magazine crossword. 85% of the answers to the crossword can be found at the Apex Magazine back issue site, 15% can be found on the Apex Publications site, and 15% are just random words I used to make the puzzle (mostly) work. Put an answer or two in the comments and I’ll enter you in my international give away for a subscription to Apex Mag. You can read the magazine on your kindle, nook, smartphone, tablet, and probably some other gizmos I’m not even aware of.
Rules for the Apex Magazine 1 year subscription give away:
- you need to reside on planet earth
- you need to be interested in short fiction that is surreal, shocking, and unexpected
you need to put an answer to one of the crossword clues in the comments.You need to comment that you’d like to be entered into the give away. Putting a puzzle clue answer in the comments is cool too, but not required to enter.
I’ll randomly choose a winner from the comments on November 7th. When commenting, please leave your e-mail, twitter, or some method by which I can read you.
1. March Bear story
5. Author ____ Pletsch
8. Poem by John Yu Brascum
As many of you know, I’m a non-fiction contributor at Apex Magazine. I interview authors, and occasionally do some other fun stuff. If you’re a spec fic reader who is always looking for something a little weird, a little different, something unexpected, Apex Magazine is for you! Jason and Lesley get this incredible magazine out the (digital) door every month, jam packed with surreal and atmospheric fiction, speculative poetry, author and artist interviews, and essays. But that’s not enough for Jason and Lesley. No, they want to bring you more fiction! more poetry! more non-fiction! For the next 2 weeks, the Apex Subscription drive aims to do just that: gaining more subscribers means more people will enjoy this magazine every month, which means funding for more Apex awesomeness. But why don’t I let Jason and Lesley tell you more? And why don’t we do that while surrounded by gorgeous Apex cover art?
oh, and by the way, there is something really awesome (and a little crazy) coming later this week. It involves you putting your thinking caps on, and me giving away a subscription to Apex.
Andrea: First things first. How did you each get involved with Apex Magazine? What are your responsibilities at the magazine?
Jason Sizemore: I’m the creator, owner, editor-in-chief, and He Who Writes the Checks. I started Apex in response to an early midlife crisis. Here I am, truly in midlife, and I’m still doing it.
Lesley Conner: I’d been working on the book side of Apex Publications for a few years when Cameron Salisbury decided to step down as the managing editor of Apex Magazine. Jason had recently stepped back into the editor-in-chief role and we already knew that we work really well together. He asked me if I’d be interested in filling the vacancy, and I immediately said yes.
As for what I do … a little of everything. Except write checks! That is all Jason!
Andrea: What goals are you hoping to reach with this subscription drive?
As many of you know, I’m an interviewer over at Apex Magazine. I get to read some stories way, way ahead of time, and then interview the author. As one of the magazine editors put it to me when I first came on board “ask questions that are compelling. Make readers want to read the story”. Thanks to that piece of advice, I think my interviews across the board have gotten better. Working with Apex is an amazing experience.
Along with the interviews I conduct, much of Apex Magazine’s fiction is available for free, online. But each issue also includes special content, such as a bonus story or article, or an excerpt from a novel that’s available to subscribers only.
Know someone who keeps saying “I should really read more short fiction, I just don’t know where to start”? Are you planning to get an e-reader for a friend or family member for the holidays? Apex Magazine makes a great gift! In fact, Apex is currently running a subscription drive, which means you can get a year’s subscription for only $17.95. It’s the gift that keeps giving. It’s cheaper than dinner and a movie, and will go further than a B&N gift card. Also? Read Apex Mag and you’ll have the opportunity to say “oh yeah, I read all those award winning stores and editors before they were famous”. Because all that fiction? All that artwork? That costs money. And like any business, the more funding Apex Magazine has, the more fiction, poetry, non-fiction and artwork they can purchase.
Wanna give Apex a whirl? In celebration of their subscription drive and in celebration of the start of the giving season, I am giving away two gift subscriptions to Apex Magazine. All you need is an e-mail address, and to be a resident of planet Earth. Leave a comment down below, and leave me some way to reach you if you win (e-mail or twitter). I’ll be choosing two winners on Nov 10th.
Still not sure? Here’s a taste of what Apex brought the world in the last year or so:
I love this cover art. I can trace the lines with my finger and discover all sorts of directions and shapes. Among other gems, this issue included an excerpt of Lavie Tidhar’s A Man Lies Dreaming, Elizabeth Bear’s “Tiger! Tiger!”, short fiction from Chikodili Emelumadu, Ginger Weil, and Rich Larson, and award winning fiction from Apex Mag‘s Steal the Spotlight contest.
Today I’m joined by Michael Matheson for a guest post on his experiences as a slush reader for Apex Magazine. The question I posed to him was this:
What’s your favorite part of slush reading, and why is having a slush team important to the success of a short fiction magazine such as Apex?
I’m not entirely certain I would restrict myself to one thing that I love about slush reading. Part of what I enjoy about the process is the thing that, I would think, most slush readers/submissions editors enjoy: that extraordinary rush one feels at finding something absolutely brilliant in the submissions pile of whatever magazine we work for. Being able to find a wider audience, or at least vie for the work to do so, by bringing it to an editor’s attention. That’s especially true if it’s the work of someone who’s not yet had their fiction (or poetry, or critical non-fiction, depending on venue) published, or who hasn’t managed to crack a semi-pro or pro venue yet (which is a more arbitrary goal in terms of publication, but which does bring with it a much larger audience than smaller, less visible venues—and the monetary incentive is also nice). That discovery of brilliant work that the world needs to see, right this very moment, is always worth the wait.
Now, saying that can potentially sound dismissive of the rest of the submissions pile. Which is absolutely not the case. Everything that comes through the pile is someone’s hope, or aspiration, toward having something of theirs published. Perhaps it’s a particular story they badly want to share with the world; something quite personal they need to talk about and start discussion with. Perhaps they just want to be published for the sake of being published. Some will be looking to just get that one piece published to see if they could, while others want to build a career out of the thing and this is their jumping off point, or even another step along the way. All of those stories are worth seeing. They’re all parts of someone’s journey toward wherever they’re going with their writing.
At a venue like Apex where we don’t currently offer feedback, reading submissions is more of a tacit acknowledgment of someone’s hard work, before you send them back on their way without really having a chance to speak to them when they’re being rejected. It’s not quite as involved a process as a rejection is from a market that has the time to offer feedback. Unfortunately, like most pro markets, Apex receives far too many submissions to write feedback for each. Even with more than a dozen (I believe we’re currently at fifteen, or sixteen submissions editors) people working the slush pile, there simply isn’t enough time to do so given the number of submissions we see in the course of a month. Let alone the bulk of material that comes in over a year’s time.