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We’re all always talking about the first science fiction book we read, or scifi movies we liked as a kid. For me, my love of science fiction was born directly from a childhood fascination with all things science.
For me, science and science fiction have always gone hand in hand. If you’re going to go explore the stars, it helps to have an understanding or at least an appreciation of astronomy and physics, right? Science Fiction is the stories of everything that science makes possible. And with science, everything is possible. My love of science fiction was born through my fascination with Science. Science made everything possible, science fiction stories are where all those cool things happened.
I grew up in the suburbs of Detroit. My mom would take me to the Cranbrook Science Museum. It was perfect for elementary and middle school aged me – youth friendly exhibits on geology, holograms, physics, astronomy, optical illusions, and more. I’m sure there was grown-up stuff too, but I was a kid, so I went to the kid stuff.I have a vivid memory of being 11 or 12 years old, and getting to go to one of their astronomy events where you could look through the telescope and see the rings of saturn. And I saw the rings, and I felt like I could touch them. The science of refraction and lenses showed me the rings of Saturn, and in the science fiction stories I was reading, people went to the rings of Saturn. I was looking at something right out of a science fiction story! And if the rings of Saturn were attainable through a chunk of glass, couldn’t anything in a science fiction story be attainable, eventually?
Around this same time in my life, I was a huge Star Trek the Next Generation viewer. Dad and I had a standing date to watch the new episodes. We didn’t have cable TV, so anything new on TV was cool, and getting to hang out with my Dad was extra cool. On that TV show, science (or at least TV science and technobabble) was applied. They were doing the things that I only saw through a telescope. They were doing science (and plenty of other stuff), and science was something that could take you to new amazing worlds.
Come on. I was eleven years old. Any planet they visited on ST:TNG was amazing to me. I didn’t care that it was all tv technobabble and none of the science actually added up. They were taking all the cool science stuff from the museum I went to, and applying it to do really cool things.
Science Fiction is full of hope that one day we will be able to attain what is unattainable today. And applied science is what will one day make science fiction a reality.
I recently hosted a roundtable over at Semiotic Standard, asking a group of folks from the SFF-o-sphere the following question:
Which Sci-Fi or Fantasy book would you most love to see on the as a movie? What scene are you most looking forward to seeing on the big screen?
Click here to see everyone’s responses.
and now, I put the question to you! What book or short story would you like to see as a movie or tv series? Are there particular scenes that you’re most looking forward to? What about scenes that would be difficult to film, how do you think a director might do them?
When I pick up a book, I really do pick it up with the intent of finishing it. But these last 10 days or so, I’ve been having trouble sticking with any one book. I’ll pick something up, read half of it, pick something else up, read 20 pages, pick up an anthology and read two stories…. we’ve all been there. I can’t seem to stick with anything! Years ago, when asked “how do you decide what to read?”, my friend nrlymrtl of Dab of Darkness said she puts a ton of interesting looking books in a comfy reading spot, reads the first 40-50 pages of each one, sees which one grabs her attention, and then she puts the rest down guilt-free.
I took five books that have been sitting on my To Be Read stack, and did the same. I read 50 pages of each (or at least attempted to), and one or two really stood out as books that If i continue reading, I’m gonna finish. the books were:
Spells of Blood and Kin by Claire Humphrey – Thomas Dunne Books, June 2016
Way Down Dark by J.P Smythe – Quercus Books, Oct 2016
A Lovely Way to Burn by Louise Welsh – Quercus Books, April 2016
Dead on the Bones: Pulp on Fire by Joe R Lansdale – Subterranean Press, Nov 2016
Too Like the Lightning by Ada Palmer – Tor Books, May 2016
Well? How did it go? Did 5 books 50 pages help me figure out what to read next? LOL, at least this is a spoiler free post, since the events I talk about in these books happen in the first 50 pages and I have no idea what happens next!
Hey blogger buddies – do you write negative reviews? And what I mean by a negative review isn’t “this book sucks”, it’s “this book didn’t work for me and let me tell you why”. A well written negative review tells you just as much information about the book about a positive review. When I write critical / negative reviews, it’s mostly to talk about why I bounced off a book, or why I though the book was problematic. Oftentimes, it’s a book that the majority of readers really enjoyed, perhaps the book even won a ton of awards, but really, really didn’t work for me. Any of my friends will tell you I’m not the kind of person to sugar coat. If I think something didn’t work on some level, I’m going to say so. If I was offended by something, or thought it was boring, or thought the POV switches weren’t clear, I’m going to say so. If a book made me, personally, feel like the world of that book is not a world I would be welcome in, I’m going to say that too.
I do not write negative reviews to dig at an author, or to convince others not to read that author’s books. I need to make that clear: it is a negative review of a book, not of an author or of their career. In fact, I’ve had people respond to my negative reviews with “that sounds like a book I’d like!”
I’m interested to know if my peers write negative reviews, and how you think about those reviews, because I’m in the process of writing a negative review right now. Many people have praised this particular new-ish novel, but I’m finding it predictable, and with a plot that moves forward solely by the power of “because of course it is” combined with characters that do willfully dumb things. (which will be further explained in the review)
Ok, so sound off in the comments, because I wanna know:
Bloggers: Do you write negative reviews? It that a different reviewing process than when you write a glowing review?
Writers: how do you react when you become aware of a negative review of your work?
It’s extra fun being me, because not only do I write negative reviews, but I then run into those authors at SFF Conventions! Fun! And by fun I mean quite awkward. Should “I’m going to meet this person!” affect how I review their books? Nope.
I’m terrible at watching TV. I can barely remember what day of the week it is, let alone what time I’m supposed to turn on a specific channel. Anyways, now that I watch a lot of shows streaming, I can watch them whenever I want, watch a few episodes in a row, watch favorite episodes over again. I feel like a commercial for Netflix.
Netflix doesn’t get a ton of brand new stuff, but they get a lot of good older stuff and I recently discovered the TV show Lost. This show ran from 2004 to 2010, and I remember hearing about it and people going crazy for it, but I never watched it when it was new. I still don’t know much about it. I’m reluctant to look up information about the show online because I don’t want spoilers. LOL, I’m Mark Oshiro-ing Lost!
I’m about 10 episodes in, and I really dig this show! For those of you who don’t know this show, it follows the survivors of a plane crash on a deserted island. They need to survive, find food, deal with medical crises, and deal with each other. Among our survivors is Charlie the drug addicted rock star, Jack the doctor, a woman named Kate who won’t tell anyone about her background, Sawyer the grifter, Claire the pregnant single mother, Sayid the Iraqi ex-military officer, a Korean couple who doesn’t speak English, and Mr. Locke, who appears to be a big game hunter. The show has a huge cast, so the characters are introduced very slowly, often with long flashback scenes to tell viewers more about them. What’s neat is that nearly everyone is using this horrible event to start over in their lives. No one knows what the criminal did earlier in their life, so why should they tell anyone their secrets? No one knows that the guitar player is a depressed drug addict. No one knows that Locke the game hunter spent 4 years in a wheelchair. Another survivor asks you what your name is, are you required to be truthful? No, you are not. Is this an island of liars? Maybe.
I’ve been elsewhere!
I hosted my first roundtable at Semiotic Standard, about books we didn’t finish. The roundtable features Lynn of Lynn’s Books, Lavie Tidhar, Jacob of Red Star Reviews, Teresa Frohock, Mark Lawrence, Charlotte Ashley, and more! Come on over to see these folks and their peers didn’t finish books, and why I might not finish the book I’m reading right now.
I’m also over at Apex Magazine, interviewing the incredible Mary Pletsch. In the interview we talk about the song and music in her short story Folk Hero. but first, a quick aside. Ya’ll know what iambic pentameter is, right? the super simple definition of Iambic pentameter is that it is poetry (or song lyrics) written so that each line has 10 syllables, with every other syllable being stressed. If you get the rhythms just right, it fits perfectly into 4/4 rock and folk music. So, I’m reading Pletsch’s story, and there are song lyrics embedded in the story. And my brain doesn’t come up with a melody, but it does come up with a rhythm. A rhythm that matches the hauntingly beautiful Age of Aggression, as covered by Malukah. Yes, that is a video game song, and YES, you should listen to it while you are reading Pletsch’s Folk Hero. here, I’ll help:
Folk Hero, by Mary Pletsch
Age of Aggression cover, by Malukah
I read that story, and I hear her sandstone voice singing that song, and it’s beautiful and fitting, and perfect.
oh, you liked that Malukah song? this one is better.
so, that should keep you out of trouble for a few days. I’ve got a review of Lavie Tidhar’s Central Station publishing in a few days, so stay tuned (btw, it was AWESOME)
I did a mystery review last week.
I told you everything you needed to know about the book – what it was about, what I liked about it, etc – to help you make a decision as to if this was a book you’d enjoy. It was fun writing the review, and I got a kick out of how people responded to a review that never mentioned the book’s title or author. Maybe I should make this a regular thing?
Ready to know what the title of the book is?