Archive for the ‘Mary Robinette Kowal’ Category
I did many cool things this past weekend. One of them was listening to the audio of The Incrementalists. It’s narrated by Mary Robinette Kowal and Ray Porter. I live under a rock and didn’t know who Ray Porter was. Kowal was great (and she gets to read one of my favorite scenes), but this other guy, Porter?
This blog post is not a review of the audio.
You read my review of The Incrementalists and it doesn’t seem like your thing? Fine. I won’t hold that against you. Still, get something else Ray Porter narrated. Do it because you trust me. And do it because this man’s voice does something you to. Something that words and ink and turning pages can’t do.
You never forget your first time.
Ray Porter’s voice moves over you like a summer storm. Unstoppable, his voice contains the roiling tension of the incoming storm front, the thunder you feel through your feet before your ears know what it is, the shadow that falls as the clouds roll in, everything to that surreal moment when your breath catches in the silence and the stillness before the storm hits. And then the skies open up, and in his voice are the rhythms of the rain, from gentle caresses to a pounding need to being in every pore of the parched ground beneath; the tympani pulse of the thunder that resonates in your chest; the rain becoming an ocean and drowning feeling like heaven.
And as his voice fades, you are left with the shattered remains of the sated clouds that slowly lie down in repose, their edges set on fire by the glorious sunset.
The storm has passed. And all you can do is reach out with your quivering, cloudy fingers and whisper “you must come back. my ground is still thirsty for you”.
Or I suppose you could just hit play again on the file.
Stay tuned, I have more cool stuff for you tomorrow and the next day. Photos! Links! the awesomess that was ConText! book reviews! you know, more of the cool stuff and less of these weird misguided attempts at prose-y things in which I tell all the rules of writing to fuck off because I’m having a moment.
Long story short – It was ah-maz-ing. another weekend of my geekgirldreams brought to us by the very hardworking folks at Stilyagi.
but, in case you are interested in the short story gone overly long, here ya go:
Last year at ConFusion I was about authors, authors, authors, and just for good measure more authors (also, one particular author, but that’s a different story). But this year I wanted to branch out a bit and see what else was going on. Luckily, the programming made that even easier for me. The sheer variety of programs and panels was amazing. There was an entire Science track, a Doctor Who track, lots of guest artists doing artwork in the hotel atrium, and a Studio Ghibli movie marathon on top of all the amazing author readings and “such-and-such in Sci and Fantasy” panels. And the best part? I was totally cool about this year. A little bit less of the running up to authors and babbling ohmygodIloveyourbookssomuchwillyoucomehomewithmecanicookyoudinner going on. Also, I cosplayed for the first time. Now that I’ve worn a tail, I can see why people don’t want to take them off.
Friday afternoon was saying hi to friends, hitting up the dealer room, finding the consuite (on the first floor, down the hall from all the panel rooms = WIN) and playing “spot the famous person” (omg, there’s John Scalzi! and he has a ukelele!). I made it to 2 panels on Friday, Fun with Liquid Nitrogen, and the Opening Ceremonies of the Con.
Liquid Nitrogen with Dr. Jennifer Skwarski. I always thought if the stuff touched you, that part of your body would shatter off. not so! (wait, scifi movies lied to me??) Apparently you can splash it all over your hand and be OK, although I don’t recommend trying that. Also, it makes a really neat snapping noise when splashed all over the floor. Demonstrations included the amazing whirring around ping pong ball, frozen vodka, frozen soap bubbles, crunchy expanding balloons, and of course making ice cream!
Not too much to say about the Opening Ceremonies, except that Mary Robinette Kowal had the best ever marionette story. I’m hoping she posted it on her blog somewhere, because if I try to tell it I’ll mess it up, and also it’s not my story to tell. And, Yes, she had her Hugo. Perhaps it was a prop for this? Also, Charles Stross has a really cool accent.
published November 2012
where I got it: Received ARC from the publisher
Epic Fantasy requires the story to be bigger, the dragons be faster, the warriors be stronger, and everything generally be more. And Epic: Legends of Fantasy offers up just that – more mythos, higher stakes, more of simply everything.
Many of the entries are part of the author’s larger work, taking place in an epic fantasy world that the author has already written hundreds and sometimes thousands of pages about. Randomly, the stories I read first happened to be part of larger works, and at first, the lack of stand alone works bothered me, but I quickly came to appreciate it, and to learn the collection had plenty of stand alone stories as well. An anthology like this is a brilliant method of introducing readers to these larger fantasy worlds created by famous authors such as Robin Hobb, George R R Martin, Michael Moorcock, Melanie Rawn, Tad Williams, and many others, and serves as an excellent introduction to the writings of newer authors as well.
Some works were fairly new, but others were older than I am. the Moorcock for example was originally written in 1961. A pure classic sword and sorcery, complete with sexualized and helpless female, it might be offensive to today’s readers, but I’m happy Adams included it, as what’s the point of talking about Epic Fantasy if we’re not going to touch on the journey the genre has taken?
Clocking in at over 600 pages, Epic: Legends of Fantasy is itself a bit of a doorstopper. We eat clunksters like this for breakfast, so I was surprised at how long it took me to plow through it. ahh, but spending 600+ pages in one fantasy world is one thing. Try spending that quantity of pages in over a dozen fantasy worlds. More often than not, my brain needed a little break in between. This isn’t the kind of anthology to gorge on, this is the kind you savor, over many winter evenings.
Here’s my thoughts a handful of the entries:
- In: awards | Best of the Year | Catherynne M. Valente | Charles Stross | Charles Vess | China Mieville | Erin Morgenstern | Ernest Cline | for the love of reading | George R R Martin | Jeff Vandermeer | Jo Walton | Jonathan Strahan | Kameron Hurley | Mary Robinette Kowal | Patrick Rothfuss | Robert Reed | Robert Silverberg | Tim Powers
- 5 Comments
The recently announced Locus Awards are awarded every year by a readers poll done by Locus Magazine. These have been going since 1971, and are often an influencial precursor to the Hugo awards, which will be awarded later this summer.
It’s only these last couple years that I’ve been blogging that I’ve paid much attention to awards. Honestly, for the most part, a list of award nominees more often than not elicits a mostly “eh” response from me. Maybe I’ve heard of the authors, maybe I haven’t, and there’s a decent chance I haven’t even read any of the books or short stories that are up for an award.
Good thing I have a scifi/fantasy blog, and have pretty much been reading nothing but scifi and fantasy for the last little while! For the first time, ever, I’ve actually read a small chunk of these. Ok, maybe not a respectable amount, but way more than in previous years. For the first time, ever, my mind is responding with a “sweet! I’ve read that!” or at least a “I’ve heard of that, and I really want to read it!” instead of “meh”.
Here are this years Locus Award winners (bolded) and nominees. If I reviewed the piece, I’ve linked to it. A few questions for you to contemplate as you peruse the list: how many of these author, works, editors, authors and publishers have you heard of? How many of them have you read, or are interested in reading?
The 2012 Locus Awards, as announced in Seattle Washington, June 15-17th 2012:
Science Fiction Novel
Embassytown, China Miéville (Del Rey; Macmillan)
Leviathan Wakes, James S. A. Corey (Orbit US; Orbit UK)
11/22/63, Stephen King (Scribner; Hodder & Stoughton as 11.22.63)
Rule 34, Charles Stross (Ace; Orbit UK)
The Children of the Sky, Vernor Vinge (Tor)
A Dance with Dragons, George R.R. Martin (Bantam; Harper Voyager UK)
Snuff, Terry Pratchett (Harper; Doubleday UK)
The Wise Man’s Fear, Patrick Rothfuss (DAW; Gollancz)
Deathless, Catherynne M. Valente (Tor)
Among Others, Jo Walton (Tor)
The Night Circus, Erin Morgenstern (Doubleday)
Ready Player One, Ernest Cline (Crown; Century)
God’s War, Kameron Hurley (Night Shade)
Soft Apocalypse, Will McIntosh (Night Shade)
Mechanique: A Tale of the Circus Tresaulti, Genevieve Valentine (Prime)
Robots: The Recent A.I., edited by Rich Horton and Sean Wallace
published in 2012 from Prime Books
where I got it: purchased
For no good reason, I’ve never read much short fiction. I’ve had mixed luck with anthologies in the past, and that is a terrible reason to shy away from short fiction. Good thing I ran into Robots: The Recent A.I., an anthology so packed with my favorite authors that I felt like a kid in a candy store. Authors such as Cory Doctorow, Cat Valente, Lavie Tidhar, Tim Pratt, Rachel Swirsky and more whipping up near and far future tales of an aspect of science fiction that is near and dear to my heart: artificial intelligence. How could I possibly say no? Most of these stores have already appeared elsewhere, but I had only ever heard of the Valente and Doctorow titles. Blazing big and bold on the cover is the word “robots”, but artificial intelligence is so much more that a metal machine that can have a conversation with you or play chess.
These are the stores about the new holy grail: creating an artificial intelligence that is so close to human we can’t tell the difference. When an AI is so close to human you can’t tell, where is the line between ownership and freedom? Where is the line between loving someone and being programmed to love that person? For a discussion about cold hard programming, where every decision comes down to a sharply defined one or zero, these are some mighty emotional and sensual stories. Some are told from a humans point of view, others are from the point of view of an AI. These are not your Papa Asimov’s robot stories, and it’s suddenly about more than playing chess.
It’s one thing to program a machine to believe that it is a human. It’s an entirely different thing to deal with the consequences. Frankenstein’s monster indeed.