the Little Red Reviewer

Posts Tagged ‘audio

 

 

Me and audio fiction have a tenuous friendship. I tend to get distracted while listening to audio fiction, which means I have to listen to the same stories over and over and over again, almost like they are long musical pieces. Do I listen to the occasional audio book? Sure do. Are they something I seek out? Not really.   But . . .  long commute to work through beautiful farmland is the perfect setting for some audio short story podcasts.  And Clarkesworld has the amazing Kate Baker.  So there’s that.

 

If you’re not sure audio short stories are for  you, find something narrated by Kate Baker.  Her voice is warm and welcoming, drawing you in to the inflections and pauses. When I listen to her, I feel like it’s just the two of us having an intimate conversation in a dark pub where the bartender knows us and lets us hang out at that table in the back as long as we’d like. She’s not reading me a story, she is telling me a story. My brain responds to her voice the same way my brain responds to music, even though she’s not singing. All that to say that Kate Baker’s voice has absolutely spoiled me.

 

Still, I stick with the shorter of the short stories that she narrates.  Maybe the more I listen to, the more I will want to listen to and will download longer stories? Time will tell, I guess.

 

Last week, I listened to “Left of Bang – Preemtive Self-Actualization for Autonomous Systems” by Vajra Chandrasekera from the April issue (issue #127) of Clarkesworld, and “Two Ways of Living” by Robert Reed from the March issue (issue #126) of the same magazine. Both were narrated by Kate Baker, and by “listened to”, I mean I listened to them each at least 3 times.   Only today, as I’m writing this blog post  am I actually looking at the text versions on the Clarkesworld magazine website, mostly to just check the spelling of character’s names.  How strange the shapes of the text seems, after having heard the stories on audio.

 

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I did many cool things this past weekend. One of them was listening to the audio of The Incrementalists. It’s narrated by Mary Robinette Kowal and Ray Porter. I live under a rock and didn’t know who Ray Porter was.  Kowal was great (and she gets to read one of my favorite scenes), but this other guy, Porter?

This blog post is not a review of the audio.

You read my review of The Incrementalists and it doesn’t seem like your thing? Fine. I won’t hold that against you.  Still, get something else Ray Porter narrated. Do it because you trust me. And do it because this man’s voice does something you to. Something that words and ink and turning pages can’t do.

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You never forget your first time.

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Ray Porter’s voice moves over you like a summer storm. Unstoppable, his voice contains the roiling tension of the incoming storm front, the thunder you feel through your feet before your ears know what it is, the shadow that falls as the clouds roll in, everything to that surreal moment when your breath catches in the silence and the stillness before the storm hits.  And then the skies open up, and in his voice are the rhythms of the rain, from gentle caresses to a pounding need to being in every pore of the parched ground beneath; the tympani pulse of the thunder that resonates in your chest; the rain becoming an ocean and drowning feeling like heaven.

And as his voice fades, you are left with the shattered remains of the sated clouds that slowly lie down in repose, their edges set on fire by the glorious sunset.

The storm has passed. And all you can do is reach out with your quivering, cloudy fingers and whisper “you must come back. my ground is still thirsty for you”.

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Or I suppose you could just hit play again on the file.

Stay tuned, I have more cool stuff for you tomorrow and the next day. Photos! Links!  the awesomess that was ConText! book reviews!  you know, more of the cool stuff and less of these weird misguided attempts at prose-y things in which I tell all the rules of writing to fuck off because I’m having a moment.

I’ve been doing a lot of traveling for work lately, so MP3 player and free short story downloads to the rescue!  Here are a few that proved very enjoyable, maybe you will like them too. These are all less than an hour, so perfect for your commutes, holiday travels, or if you are stuck waiting somewhere, or would just like to listen to something nice.

These are from Lightspeed Magazine and Podcastle. do you listen to them? which other short story podcasts do you listen to?

The Bookmaking Habits of Select Species, by Ken Liu, from the August issue Lightspeed magazine (click here to download)
read by Stefan Rudnicki

I don’t know what I was expecting with this story, but I never thought so much imagination could be put into something that on the surface, sounds so very simple. This story is about what the title implies: book making habits. Of  aliens. All creatures record events and thoughts, perhaps the desire to make recordings is a sign of civilization.  With softly sure descriptions, Liu talks about a handful of alien civilizations, both organic and inorganic, creatures who record entire streams of consciencness, creatures whose records are slowing destroyed through use, and all sorts of other amazing, imaginative methods in which beings who are completely different from humans, but delight in the same things we do – storytelling.

This story had a surprisingly large impact on me.  We communicate more than we can possibly know through storytelling, and the methods of that storytelling is a communication unto itself. I couldn’t get this story out of my head. As a lover of books, stories, and the methods we use to record our stories for future generations (and the speed at which those methods are changing), this story struck me in a very personal way.

A Hole to China, by Catherynne Valente, from the May Issue of Lightspeed Magazine (click here to download)
read by Stefan Rudnicki

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some of the books reviewed here were free ARCs supplied by publishers/authors/other groups. Some of the books here I got from the library. the rest I *gasp!* actually paid for. I'll do my best to let you know what's what.