Posts Tagged ‘youtube’
When the Apex Magazine Revive the Drive hit $3500, it unlocked me doing a No Boundaries interview with Jason Sizemore, editor-in-chief of the magazine. The fundraiser reached that goal a few days ago, and we recorded the interview the other night. I had a very short window of time to get questions from Jason’s friends, co-workers, his nemesis, and I even got a few questions from my friends who have no idea who he is.
What’s a No Boundaries interview? It’s where I could ask Jason absolutely anything, and no topics were off limits. I did make him blush, but we didn’t get it on camera.
Enjoy the interview! And head over to the Apex Magazine Revive the Drive store, pick yourself up a subscription, a subscription bundle, a signed manuscript, short story critique, mystery boxes, book bundle, home made crafts, and brand new in the Drive store are – holy crap there is a copy of The Weird Compendium that is signed by Ann and Jeff Vandermeer! The Drive runs through April 17th, and the funds raised will allow Jason and team to purchase more weird surreal fiction, to pay artists and writers more, and to give fan of the magazine more of what they’ve come to enjoy. A fitting anniversary for a magazine that’s coming up to it’s 100th issue, wouldn’t you say?
oh, anyway, here’s a link for the interview. I don’t know how to embed a 22 minute video into a WordPress article.
click the link, don’t click this picture. the picture doesn’t go anywhere.
What did we talk about? Everything from heated toilet seats, to llamas, to something embarrassing he did at a Con, to who he wants on his Apocalypse team, to famous Apex parties (lots of people wanted me to ask him what’s in the famous Apex Party Punch!), to books he wishes he could experience for the first time. And yes, we even talked some serious stuff about Apex sales and editing.
Ursula Vernon’s short story “The Tomato Thief” from Apex Magazine issue 80 is on the Hugo Ballot
Rosewater by Tade Thompson is on the Locus Annual Recommended Reading List
As part of the Book of Apex Vol 4 blog tour, I feel very lucky to be able to interview Alethea Kontis. An award winning author, she describes herself as among other things, a princess and a force of nature. Alethea was kind enough to answer a few of my questions, and give me more information on her short story “Blood From Stone”, her current projects, adventures on YouTube, and how she stays sane.
Let’s get to the interview!
LRR: Your story, “Blood from Stone,” is a dark fantasy about a woman who seduces the man she loves and they succeed with their alchemical magic. What inspired this story?
A.K: “Blood from Stone” is based on the Grimm Brothers’ “Fitcher’s Bird” (some are more familiar with Perrault’s “Bluebeard”). “Fitcher’s Bird” is the tale of Fitcher’s last three wives, all sisters, the last of whom ultimately reveals his true nature (because she heeds the warning of a noisy bird) and leads the townspeople to murder him at his wedding. But what about Fitcher’s first wife? What kind of woman twisted this man into such a serial killer? Had he always been a sociopath? And if so, what sort of woman would have fallen in love with him in the first place?
Few have tried their hand at telling this part of Fitcher’s tale, and I am honored to be one of them. To prepare for this story, I researched the real-life historical figure that Perrault’s Bluebeard was based on: Gilles de Rais. Gilles de Rais was a baron who fought beside Joan of Arc, but he went on to squander his fortune until his family was forced to place him under something similar to house arrest.
His get-rich-quick schemes then turned to summoning demons, with the help of an Italian magician called Prelati, dark magicks that involved the sacrifice of countless children, whose bodies they subsequently burned in the fireplace (which is why no exact number is known). Once an author hears a history like that, how does she not write it?
I encourage readers who enjoyed “Blood from Stone” to explore further into the real life of Gilles de Rais.
LRR: I found “Blood from Stone” to be dark and very adult. But you also write a lot of children’s and YA fiction. Is writing for different ages a different mindset? What’s the trick to being able to write kid’s stuff one day, and very adult fiction the next day?