the Little Red Reviewer

Posts Tagged ‘parenting

We watched the Netflix movie I Am Mother the other day.    Deceptively simple, the movie takes what looks like an unbelievable simple plot, and actually doesn’t do a ton with it.  This movie isn’t going to win any awards, but it was a good use of my 2 hours, and I’d watch it again.  The robot was hella cool!

 

And yet.

 

The movie is more about what isn’t ever said, and what isn’t ever explained.

 

I keep thinking about this movie, and I can’t get it out of my head.  I like that I’m thinking about it, and i like that i’m thinking about everything that was never explicitly mentioned,  all the negative space, all the showing instead of telling.

 

In my opinion, the best stories are hiding in plain sight, in the negative space.

 

Do you have teenagers in the house?  Have them watch this movie, and then ask them what the movie is about.  Younger kids can watch it too, but they might get bored. Adults can watch it too! But I categorize I Am Mother as great for teenagers, as this really is a YA story.

 

don’t know what I’m talking about?  I Am Mother is a netflix original movie.  A young girl, known as Daughter, is being raised in an underground bunker by a robot, known as Mother. They are alone in the bunker,  Mother will not allow Daughter to go outside due to dangerous contagions.  Daughter is a happy, well adjusted, obedient child.  You know immediately that Mother is hiding information from Daughter, perhaps waiting for the right time to tell her.   As Daughter is preparing for an important exam, there is a knock on the front door of the compound. A woman is begging to be let in, she has been shot in the leg, and is hoping there is antibiotics in the compound.  When the woman sees Mother, she freaks out.  Daughter is pulled between curiosity of the outside world, the strangeness of their visitor, and her love of Mother.

The movie feels a little like the movie Moon – as in for most scenes you only see a human character and a robot character. . .  and that’s it.  It also felt a little like a sanitized version of Cormac McCarthy’s The Road – very sparse, very quiet, a parent protecting their child.

 

I don’t feel like writing a review for this movie, but for some weirdo reason I feel like writing a study guide / guided discussion questions?  Not sure how that happened, but here you go!

 

(Spoilers ahead!)

 

 

I thought it was neat that none of the characters have names.  The robot is “Mother”, the child being raised by Mother is referred to as “Daughter”, and the woman they give limited refuge to is never named.

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Borne, by Jeff Vandermeer

published in 2017

where I got it: purchased new

 

 

 

I finally read Jeff Vandermeer’s Borne.  This book was on everyone’s Best of the Year list last year, so why did it take me so long to read it?  Uhm… i dunno. Took me a while to get out of The Southern Reach, I guess. Guess I needed the closure that was the incredible oversensoryoverload scene at the end of Annihilation more than I thought.  Anyway.

 

One of the nice things about read a book that had a lot of hype, a year after it came out, is that I can skip all the obligatory “what this book is about” crap, and get to the meat of what I wanna talk about in this not-a-review.

 

Seeing the Annihilation movie reminded me of how much I loved all the flashback scenes in the novel. I got to know the biologist through her flashbacks. Her character wasn’t only who she is right this second, while she is walking through Area X, but it’s all the things she did in her life that got her to be this particular person – the overgrown swimming pool, the tidepools, the isolated introvert-heaven projects, how she felt about herself and the world when she was outside. The biologist became who she is now, because of who she was then.

 

And that’s how I felt about Rachel.  The short flashbacks of her youth, of being a refugee, of how she wished her parents didn’t feel like they had to put on a happy face for her all the time, that is how I knew who she was. By who she was then, I had a better feeling for the depths of who she is now.  A well written flashback is a gem in a geode.

 

I’m a super tactile person.   I hate wearing shoes and i joke that when I walk around barefoot that I’m seeing the room with my feet. It’s only half a joke, because in a sense that isn’t seeing, I really am experiencing the texture of the floor through my feet, and that is being transmitting to my brain as a way of “seeing” the floor.   It’s a throwaway comment when Rachel mentions that she usually sleeps with her shoes on, that she hates taking her shoes off, something about an experience she had while she was a refugee.  When I read that, my gut reaction was “how sad, for her to be blind in that way”. I felt bad for her, that she wouldn’t be able to see a room through her feet.

 

Among other things that he might be, Borne is one gigantic sensory organ.  Once he starts talking and walking, and touching and tasting and “seeing the room through his feet”, he can’t stop. Well, he can’t stop doing those things just like he can’t stop doing some other things that he doesn’t like talking about.  Just like you can’t say to yourself “hmm, i’d like to shut off my sense of sight, or my sense of smell today”. You can’t stop either. But for you, not being able to flip a switch to stop seeing, or smelling, or tasting, is normal. So why would someone expect someone else to just be able to stop seeing the room through their feet?    Because we all want our kid to be fucking normal, that’s why.

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the flux steinmetzThe Flux by Ferrett Steinmetz

published in 2015

where I got it: purchased new

 

A few days after writing an emotionally fraught and migraine fueled review, I finished Ferrett Steinmetz’s The Flux, which although isn’t a heavy book, deals with a boatload of heavy shit.  I found myself laughing and smiling at all the videogame and pop culture references as huge lumps developed in my throat from #allthefeels. I kept running across things that transcended the page right to “this is super important to me on a very personal level” territory, and that list of things kept getting heavier and longer.  And all of that was all happening at the same time!  The closer I got to the end of the book, the slower I read. Because I didn’t want it to end. If you aren’t reading Ferrett Steinmetz, you really need to start.

 

You know how the middle book in a trilogy too often suffers from “middle book syndrome”, where that book is just a way to get to the 3rd book? The Flux is a middle book that reads like a first book. What I mean by that is the characters grow even more in this book than they did in the first, the stakes get higher, and the reader gets even more invested in what’s going on. Also? Steinmetz wisely includes just enough background so you can successfully enter the series here, and be hungry to go back and read Flex.

 

I really want to tell you all the everything in this book, but sorry peeps, I just don’t have the spoons to write the full on review that even comes close to doing this book justice.  Thus, the list.  The list of things in The Flux that were super important to me, the things that took this book from fun urban fantasy to self help book:

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some of the books reviewed here were free ARCs supplied by publishers/authors/other groups. Some of the books here I got from the library. the rest I *gasp!* actually paid for. I'll do my best to let you know what's what.
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