Posts Tagged ‘coming of age’
In 1968, Alexei Panshin wrote a coming of age novel called Rite of Passage. The story follows twelve year old Mia Havero, as she readies for her “trial”, during which she’ll spend 30 days alone in the wilderness of a planet. Having spent her life on a ship, she’s got a lot to learn about how to survive dirtside. Rite of Passage won the Nebula, and was nominated for a Hugo. This is most definitely not your standard 60s “kid goes on an adventure”!
My close friend Andy lent me his copy of Rite of Passage, and although it took months of him asking me to do so, I finally read it. It was an absolutely fantastic novel, and it was easy for me to see why Rite of Passage made it to so many awards ballots. Even better, the story doesn’t feel dated. Written almost 50 years ago, it read like a novel that could have been written 10 years ago. Andy and I decided the best way to talk about it was to literally talk about it over Google Docs, and share our chat. Our conversation below does spoil some huge stuff that happens at the end of the story, there is plenty more we haven’t mentioned that awaits new readers.
Andrea: What did you think of Mia? She’s not the typical scifi protagonist [for a 1960’s scifi novel], that’s for sure!
Andy: I think Panshin had to tell this story through the eyes and experiences of someone Mia’s age (she is 12 when the story begins). Adults have hardened into acceptance (or, more rarely, rejection) of their society’s system of beliefs. Mia is still discovering these and so is receptive to alternatives.
Andrea: Not all the kids come back from their month on a planet. I assumed that a percentage of kids “go native”, and decide that life on a planet is preferable to life on the ship. What did you think happened to the kids that didn’t come back?
Andy: I’d like to think that many, if not most, did “go native.” However, given the mutual hostility and distrust between the starships and the planet-bound made plain in the novel, I think the majority were either killed by the planet-siders (if pursuing the aggressive “tiger” survival strategy) or died of exposure and starvation (for those using the “turtle” approach, keeping their heads down in remote places). Both the planetary societies and the one on Mia’s ship are quite harsh, in their own ways. Except for Mia and her friend Jimmy, and the people who befriend Mia on Grainau, there’s not a lot of mercy in evidence on either side.
published January 2017
where I got it: purchased new
In my review for Okorafor’s first Binti novella, I was hopeful that she’d write more fiction starring this character, and that the first novella was just Binti’s initial adventure into the galaxy. My hopes for Binti were that she’d continue to meet new people and expand her worldview. In Binti:Home, Okorafor has chosen a much scarier adventure for the now more worldly Binti. After a year at University, she’s headed home for a traditional pilgrimage.
A young woman who ran away from home in the middle of the night to chase her dreams, a young woman who has been physically and mentally changed by surviving a Meduse attack on her ship, and is who is now friendly enough with a Meduse to bring him home with her. What does her family think of her now?
It’s like she’s coming home and saying “hi Mom and Dad, University is great thanks for asking. oh, I’ve permanently changed my biology, and befriended someone from a violent culture who tried to kill me and everyone on my ship! What’s for dinner?”
This is a most unusual book review, because I am not going to tell you the name of this book, the name of the author, or the year the book was written. You don’t get any cover art either. We all judge books by their covers and all that, so I’m curious what everyone’s thoughts will be if I tell you everything you need to know about the book except what you’d see on a bookstore shelf. A deliberate experiment, if you will. And don’t worry, I’ll reveal the author and cover art in a few days. For those of you who recognize this book, or think you do, please, please don’t reveal the book’s title in the comments.
Are any of you familiar with the anime TV shows Sword Art Online or Log Horizon? In these shows, gamers get transported into the world of their MMO video game, and have to survive. This book has a similar, if simplified premise. A bunch of college kids are in a table-top Role Playing Game club, with a professor as their game master. I won’t get into the how’s or why’s, but the professor is able to transport the students to the fantasy role playing world, and the students have to survive. What’s really neat here is that while everyone comes through into the fantasy world as their characters (a cleric, or dwarf, or thief, etc) and with the skills and attributes (strength, speed, dexterity, etc) from their character sheet, they also retain all their knowledge and morals from the real world. One woman depends on her real world travel experiences to help her haggle with traders, there’s even some “innovative” WWF style fighting moves that no one else in the arena had ever seen.
At it’s heart, this is a coming-of-age fantasy quest story . The goal is to find the gate between worlds, so they can get home to the real world. But, as we learn, not everyone wants to go home. Sure, home has modern dentistry, and cars, and our parents, and health insurance. But one guy, if he goes home, the only thing waiting for him is his wheelchair and people pitying him. Here, in the fantasy world, he can walk. He can do all the things he can’t do at home. Another character, this is the first time in his life he’s respected for his knowledge and abilities. If he goes home, it’s back to being the guy everyone makes fun of. It was neat, how some characters abandon their real world first names right away to only go by their fantasy role play character names, and how others never take on their characters names because they don’t want to be these fantasy world characters, and how others have an internal conflict as to who they are because they have a compelling reason to be a little bit of both. The author presents the character’s inner conflicts with subtlety. The author doesn’t shy away from tough subjects either. Like another very popular series, main characters die – usually in shockingly awful ways.
Up In The Air and The Devil Wears Prada are basically the same movie, and they aren’t what you think they’re about.
I adore Anna Kendrick, and I’ve seen Up in the Air about 10 times. I laugh at all the travel scenes, because I’ve been there done that (and the St Louis airport has some surprisingly nice restaurants). Up In the Air is a good, but not great movie. And with The Devil Wears Prada who can say no to an all-star cast of Anne Hathaway, Meryl Streep, Stanley Tucci, and Emily Blunt? So these are obviously two really fun movies for me. These two movies are supposed to coming of age stories about young women who chase a dream career and blah blah blah . . .
Coming of age story? Yeah, well, they aren’t about that at all. Imma gonna spoil the plots for you, okay? Both movies have nearly identical plots, that among other things, are pretty predictable. So I don’t feel like I’m actually spoiling anything important here.
published in 2006
where I got it: purchased new
Fifteen to twenty years after the events of Swordspoint: Alec is now the Duke Tremontaine, Richard St. Vier is nowhere to be found, and old grudges are still burning. But on the bright side, Riverside is slightly safer.
Seemingly out of the blue, Duke Tremontaine sends for his niece Katherine. She is to live with him for six months, and have no contact with her mother and brothers during that time.
Katherine, raised at her family’s country estate, is expectedly naive. And why she know anything about the outside world? She’s been raised as a young lady of quality, given the tools she needs to secure a proper marriage. Titles and marriages however, do not guarantee financial stability, and Katherine spends much of her time identifying what can be sold for cash and hemming her own clothing. Even so, she still dreams of visiting the city, having a season full of lace and dresses and balls and then getting married to someone who loves her. This is what she’s been raised to expect and look forward to because no one has told her otherwise.
Your assumptions? I see them. Observe, as Ellen Kushner smashes them into itty bitty pieces.
When Katherine arrives at the Duke’s home, she finds only men’s clothing waiting for her, her uncle’s strange, strange friends, and daily fencing lessons. Indeed, there is a reason Tremontaine is known as The Mad Duke. Within a week of arriving in the city, Katherine realizes fencing lessons aren’t that terrible; befriends Artemesia Fitz-Levi , the daughter of a well placed family; and learns that tromping around town in men’s clothes comes with social consequences. Within a month, she’s learned to ignore the names people call her, been befriended by the Duke’s young valet Marcus, learned something is very fishy with Artemesia’s cousin Lucius Perry who seems to have a secret life, and that Duke Tremontaine is much more than the local libertine, when it comes to subverting expectations.
Thus begins Katherine’s 6 month whirlwind tour of how the world really works, leave your innocence at the door, thank you very much.
I’m slowly making my way through more Hugo nominations. The nominations for best novelette are:
- “The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
- “Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
- “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
- “In Sea-Salt Tears” by Seanan McGuire (Self-published)
- “Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)
Today I’ll talk about The Boy Who Cast No Shadow by Thomas Olde Heuvelt (Dutch friends! Please help me with the correct pronunciation of his last name!) and Fade to White by Catherynne M. Valente.
The Boy Who Cast No Shadow by Thomas Olde Heuvelt
Look is an especially odd child. He has no shadow. It’s not just that a shadow doesn’t form behind or under him, there isn’t one under his nose, or his chin, it’s that no darkness forms around him, as if the sun refuses to acknowledge his existence. He doesn’t have a reflection either, and can’t be filmed or photographed. The original invisible boy. Unless of course, you’re in the same room as him, and then there’s just a lonely child, seen by everyone but himself.
Look is the only weird kid at school until Splinter shows up and gives the bullies a new target. Splinter can’t help being the perfect fragile target for their verbal and physical abuse; he’s a boy made of glass, a child who reflects everything except himself.
Due to an odd turn of events at work, I get to enjoy a 2 hour drive each day for the next four days. Thank goodness for podcasting is all I gotta say. I wanted some new goodies, so on Sunday, I asked the twittersphere for some podcast recommendations and reloaded ye olde mp3 player.
A big shout out to blogger KJ Mulder (twitter CrusaderofChaos) for recommending the stellar StarShip Sofa. (other folks recommended some great ones too, this just happened to be the one I turned on this morning) Hosted by the velvety voiced Tony Smith, StarShip Sofa won the 2010 Hugo for best Podcast. There’s plenty more awesome on that sofa, so head over to their website and check them out.
I downloaded a few recent episodes, and early this morning fired up Episode 245 featuring Seanan McGuire’s (you may know her as Mira Grant) short story Crystal Halloway and the Forgotten Passage, which is in the new John Joseph Adams Anthology Other Worlds Than These, and was read by the lovely Christie Yant. I’m embarrassed to say I’ve never read any Seanan McGuire, so this would be my first exposure to her fiction.
All I will tell you about the story is that it is about a young woman who grows up. That is all. To tell you anything more would wreck everything.
But ahh, as I am quickly learning, Seanan McGuire is pure magic. A simple sounding story about a girl growing up turned into a fragile state of brilliance, a fading rainbow, a moment of perfection that ended too soon. There is a good reason she is up for a gazillion awards (a record breaking four hugo noms!).
So go download the podcast, go listen to the story.
But don’t make the same mistake I made: