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The recently announced Locus Awards are awarded every year by a readers poll done by Locus Magazine. These have been going since 1971, and are often an influencial precursor to the Hugo awards, which will be awarded later this summer.
It’s only these last couple years that I’ve been blogging that I’ve paid much attention to awards. Honestly, for the most part, a list of award nominees more often than not elicits a mostly “eh” response from me. Maybe I’ve heard of the authors, maybe I haven’t, and there’s a decent chance I haven’t even read any of the books or short stories that are up for an award.
Good thing I have a scifi/fantasy blog, and have pretty much been reading nothing but scifi and fantasy for the last little while! For the first time, ever, I’ve actually read a small chunk of these. Ok, maybe not a respectable amount, but way more than in previous years. For the first time, ever, my mind is responding with a “sweet! I’ve read that!” or at least a “I’ve heard of that, and I really want to read it!” instead of “meh”.
Here are this years Locus Award winners (bolded) and nominees. If I reviewed the piece, I’ve linked to it. A few questions for you to contemplate as you peruse the list: how many of these author, works, editors, authors and publishers have you heard of? How many of them have you read, or are interested in reading?
The 2012 Locus Awards, as announced in Seattle Washington, June 15-17th 2012:
Science Fiction Novel
Embassytown, China Miéville (Del Rey; Macmillan)
Leviathan Wakes, James S. A. Corey (Orbit US; Orbit UK)
11/22/63, Stephen King (Scribner; Hodder & Stoughton as 11.22.63)
Rule 34, Charles Stross (Ace; Orbit UK)
The Children of the Sky, Vernor Vinge (Tor)
A Dance with Dragons, George R.R. Martin (Bantam; Harper Voyager UK)
Snuff, Terry Pratchett (Harper; Doubleday UK)
The Wise Man’s Fear, Patrick Rothfuss (DAW; Gollancz)
Deathless, Catherynne M. Valente (Tor)
Among Others, Jo Walton (Tor)
The Night Circus, Erin Morgenstern (Doubleday)
Ready Player One, Ernest Cline (Crown; Century)
God’s War, Kameron Hurley (Night Shade)
Soft Apocalypse, Will McIntosh (Night Shade)
Mechanique: A Tale of the Circus Tresaulti, Genevieve Valentine (Prime)
Robots: The Recent A.I., edited by Rich Horton and Sean Wallace
published in 2012 from Prime Books
where I got it: purchased
For no good reason, I’ve never read much short fiction. I’ve had mixed luck with anthologies in the past, and that is a terrible reason to shy away from short fiction. Good thing I ran into Robots: The Recent A.I., an anthology so packed with my favorite authors that I felt like a kid in a candy store. Authors such as Cory Doctorow, Cat Valente, Lavie Tidhar, Tim Pratt, Rachel Swirsky and more whipping up near and far future tales of an aspect of science fiction that is near and dear to my heart: artificial intelligence. How could I possibly say no? Most of these stores have already appeared elsewhere, but I had only ever heard of the Valente and Doctorow titles. Blazing big and bold on the cover is the word “robots”, but artificial intelligence is so much more that a metal machine that can have a conversation with you or play chess.
These are the stores about the new holy grail: creating an artificial intelligence that is so close to human we can’t tell the difference. When an AI is so close to human you can’t tell, where is the line between ownership and freedom? Where is the line between loving someone and being programmed to love that person? For a discussion about cold hard programming, where every decision comes down to a sharply defined one or zero, these are some mighty emotional and sensual stories. Some are told from a humans point of view, others are from the point of view of an AI. These are not your Papa Asimov’s robot stories, and it’s suddenly about more than playing chess.
It’s one thing to program a machine to believe that it is a human. It’s an entirely different thing to deal with the consequences. Frankenstein’s monster indeed.