Archive for the ‘Catherynne M. Valente’ Category
Scattered throughout the month, I’ll be posting reviews of selected stories of The Book of Apex: Volume 4 of Apex Magazine. If something you read here or on any of the other blogs participating in the blog tour gets your attention, I encourage you seek the story out on the Apex website. And if you like what you see? Consider purchasing a subscription to the magazine, or one of their anthologies. Consider leaving a comment on their website, or on twitter, or on the blog post. You’ve got an opinion and thoughts? I’d like to hear ‘em.
What I love about the fiction published by Apex is that it’s not straight up scifi, or straight up fantasy, or straight up anything, really. It’s a little bit of this, a little bit of that. It’s true fantastika. Stories that can’t possibly happen in real life, but as you are reading, you so very much *want* it to be happening. The ultimate in suspension of disbelief. Many of your favorite authors have been published in Apex magazine, along with new authors who are soon to become favorites. And that’s what Apex does – they take the cream of the crop of the strangest of the strange, scratching that itch you hadn’t known you had until it was relieved.
This is the stuff you can’t get anywhere else, it’s that flavor that’s part bloody sunset, part crystal constellation, part fever dream. It’s like walking into that weird little bar on the corner (you know, the one with no windows? that one.), and playing it cool. You ask the bartender what they recommend, and they bring you a pint of something dark. You think you know what it is, but that first sip tells you this is something very different. It starts out gentle, even a little sweet, but then ends with an unexpected bite, so sharp you wonder if you’ve bit your lip because you swear you taste blood in your mouth. This is that unlabeled, brewed in the back, only available for people who ask for it by name type of drink.
The 24 Hour Brother, by Christopher Barzak – The first thing you need to know about this story is that you’re not going to get through it without crying. Lewis is excited to finally be an older brother. After the complications of Lewis’s birth, no one expected his mother to be able to carry another child to term. But a miracle happened, and little Joe was born. but Joe didn’t stay little for long. He cut his first tooth shortly after being born. Within the hour they were chasing him around the hospital. He’d nearly grown out of his baby clothes by the time his father caught him for the taxi ride home. Within 12 hours he was fully grown, and leaving his 15 year old older brother behind when he went out drinking. You can see where this is going, can’t you? Joe’s mother knew, the first time she saw him, that she was going to lose him. There’s something especially tragic about stories where you know from the opening paragraph that it’s going to end badly. Like I said, you’re not going to get through this one without crying.
The Leavings of the Wolf, by Elizabeth Bear – Dagmar runs to get away from her divorce. Well, it’s a little more complicated than that. She runs to lose weight. If she loses enough weight, she’ll be able to pry that wedding band off her finger, that gleaming golden reminder of everything that went horribly wrong in her life. And interspersed with her running is a floating story line, a dialog between her and an ex. But the thing is, this extra story line? You don’t know when exactly it’s happening. Was it years ago? a few weeks ago? yesterday? The weight of these few extra lines here and there are like the mark a wedding band leaves on your finger after years of wear: you don’t know anymore who you are without the mark. Anyways, on her morning run, Dagmar often sees the same murder of crows, it’s that group she’s been studying, anklebanding, and researching for the University. The crows know her, she knows the them, and she even makes the occasional Thought and Memory joke. One day she meets someone who might be a God, it’s not a joke anymore. And he tells her why she’s still running. We’re all running from something, and sometimes it’s only the fear of losing a mark that tells us who we thought we were supposed to be. I’ve run hot and cold with Bear’s fiction in the past, and this one hit me hard. In a good way.
Ladies and gentlemen, it’s that time. If you’ve been paying attention, nothing on this list will be a surprise to you. If you happened to stumble by because you like “year end” lists, these are my top ten speculative fiction books I read this year. Looking for a good read? go find one of these.
Some of them are old.
Some of them are new.
Some of them were borrowed.
None of them are blue.
I’ve linked the titles to my reviews. In no particular order:
Sky Coyote by Kage Baker (1999) – the second in The Company series, this novel is told from Joseph’s point of view (and yes, Mendoza is still really, really pissed off at him). Joseph gets to do one of his favorite things – pretend to be a God. But this time, he’s got to get even the skeptics to believe his act.
The Republic of Thieves by Scott Lynch (2013) – No surprise this one made it to my best of the year list, as this is one of my favorite fantasy series. It’s true, I ranted a little about a character who really annoyed me, but holy shit, that ending?? holy shit! Also, I do just happen to have a Cinnamon colored dress/jacket combo and a four cornered grey hat in the making.
The Incrementalists by Steven Brust and Skyler White (2013 )- Secret societies, multiple personalities, sublime prose, metaphysics, unexpected romance, characters that rip each other to shreds. What more could you possibly want? I got meddled with, my switches got hit, and I never wanted it to end. Just go read it already. Everything about this book was spot-on perfection for me.
Use of Weapons by Iain M. Banks (1990) – only the best Culture novel of the best space opera series in existence. Not the easiest book in the world to read, but the subtlety, and the reveal at the end, and oh god I knew something was so horribly wrong as soon as he said he was going to cut his hair. . .
Curious about the original fiction published by Clarkesworld? This series of posts, reviewing every story published in Year Four should give you an idea of their flavor of speculative fiction. these stories are strange, unexpected, sometimes humorous, sometimes melancholy. Every single one of them will get some kind of reaction out of you. Check out the Clarkesworld website to get more. Like what you see? Become a citizen of Clarkesworld, get a subscription, spread the world. Speculative Fiction ‘zines like this are a rare beast.
I’m going through Year Four in no particular order. Click to read the first, second, and third posts in this series. In the stories in today’s post, we have virtual reality gone wrong (or maybe very, very right), reincarnations who kill their originals with the best intentions, the downside of discovering a new intelligent species, and Cat Valente has fun with creation myths.
ready? let’s go!
Thirteen Ways of Looking at Spacetime by Catherynne M. Valente – I recently had the pleasure of reading this in Valente’s latest collection, The Melancholy of Mechagirl. In that review, I didn’t go into much detail of Thirteen Ways, so I’m thrilled to have received another chance to talk about this wonderfully odd tale.
Yesterday my review of Catherynne M. Valente’s The Melancholy of Mechagirl posted over at SFSignal. this is her latest collection of short stories, novellas, and poetry, all with a connection to Japan. Head over to SFSignal to read the review and leave any comments.
random unconnected fun story: last night a family member excitedly says that someone sent him a picture of this cute Siamese cat, but it looks grumpy, and there’s a funny caption! isn’t that cute! I reply with where have you been? go google “grumpy cat”.
it’s nice to know I’m not the only one living under a rock.
I’m slowly making my way through more Hugo nominations. The nominations for best novelette are:
- “The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
- “Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
- “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
- “In Sea-Salt Tears” by Seanan McGuire (Self-published)
- “Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)
Today I’ll talk about The Boy Who Cast No Shadow by Thomas Olde Heuvelt (Dutch friends! Please help me with the correct pronunciation of his last name!) and Fade to White by Catherynne M. Valente.
The Boy Who Cast No Shadow by Thomas Olde Heuvelt
Look is an especially odd child. He has no shadow. It’s not just that a shadow doesn’t form behind or under him, there isn’t one under his nose, or his chin, it’s that no darkness forms around him, as if the sun refuses to acknowledge his existence. He doesn’t have a reflection either, and can’t be filmed or photographed. The original invisible boy. Unless of course, you’re in the same room as him, and then there’s just a lonely child, seen by everyone but himself.
Look is the only weird kid at school until Splinter shows up and gives the bullies a new target. Splinter can’t help being the perfect fragile target for their verbal and physical abuse; he’s a boy made of glass, a child who reflects everything except himself.
Remember my book haul from the other day? shortly after I posted that, I picked up this beauty:
Why yes, that is Charles Vess artwork on a Subterranean Press limited edition of a new novella by one of my favorite authors! It’s so pretty I almost don’t want to touch it. almost.
And yes, yes there is more:
I want to trace that signature over and over again, learn the shapes and patterns my hands and fingers make, and memorize the order, turn the movements into a mantra.
and then the logical part of my brain starts ticking. . .
number 56? Maybe she got to this one before her hand got tired. Do authors sign all the books all in one day of wrist wrenching carpal tunnel risking signature scrawling? Or do they do a dozen at a time? Do the pop in the extended edition of Star Wars to stave off the boredom? what if the author messes up or the pen runs out?
It’s that wonderful time of the year again! When we bake cookies and get cards in the mail and forget that we need extra time to warm up our cars in these cold, cold mornings.
It’s also time to talk about the best books we’ve read this year. I confess, I cheated a little on my list, I didn’t limit myself to books that came out in 2012, I’ve even got a reread on the list. Mostly space opera, a little fantasy and time travel, even a YA book made the list! In no particular order, here are my top books that I read this year, with review excerpts and links to the review should you feel so inclined to learn more about the titles that rocked my world this past year.
Redhead’s Best of 2012
Faith, by John Love (2012) – I read this all the way back in February, I knew right then it would make my best of the year list. An amazing debut from author John Love, Faith is a dark and tense stand alone science fiction novel. The pages drip with a danger and fear that doesn’t quickly dissipate after you’ve put the book down. This isn’t a book for everyone (that’s a polite way of saying it has lots of violence, amorality and swear words), but for those of us that like this sort of thing, Faith is quite the hidden gem.
Silently and Very Fast, by Catherynne M. Valente (2012) – has anyone been putting out short stories, novellas and full length novels as fast as Valente? she’s the hardest working writer I know, and this year she got to walk away with Hugo for Best FanCast to show for it. it’s no secret that Valente is one of my favorite authors, and the Hugo nominated Silently and Very Fast is certainly her most science fictional piece. With her signature flair for poetic metaphor and lyrical storytelling, this novella follows the life of Elefsis, a house AI who was told fairytales by the human children in the house. To Elefsis, life is a fairytale, and it should have a happy ending.
(full review here)
Of Blood and Honey by Stina Leicht (2012) – I don’t read a lot of urban fantasy, but when I do it’s a treat for it to be a beautifully written as this series (the 2nd book And Blue Skies from Pain came out later in 2012). Northern Ireland, the 1970s, Liam Kelly would prefer to live a normal life. He’s not interested in getting arrested or learning secrets about his heritage. But all of those things are very interested in him, and in destroying everything in his life that he cares about. Leicht spoiled me for urban fantasy. I am eagerly awaiting future novels in this series.
(full review here)
I’ve been doing a lot of traveling for work lately, so MP3 player and free short story downloads to the rescue! Here are a few that proved very enjoyable, maybe you will like them too. These are all less than an hour, so perfect for your commutes, holiday travels, or if you are stuck waiting somewhere, or would just like to listen to something nice.
These are from Lightspeed Magazine and Podcastle. do you listen to them? which other short story podcasts do you listen to?
The Bookmaking Habits of Select Species, by Ken Liu, from the August issue Lightspeed magazine (click here to download)
read by Stefan Rudnicki
I don’t know what I was expecting with this story, but I never thought so much imagination could be put into something that on the surface, sounds so very simple. This story is about what the title implies: book making habits. Of aliens. All creatures record events and thoughts, perhaps the desire to make recordings is a sign of civilization. With softly sure descriptions, Liu talks about a handful of alien civilizations, both organic and inorganic, creatures who record entire streams of consciencness, creatures whose records are slowing destroyed through use, and all sorts of other amazing, imaginative methods in which beings who are completely different from humans, but delight in the same things we do – storytelling.
This story had a surprisingly large impact on me. We communicate more than we can possibly know through storytelling, and the methods of that storytelling is a communication unto itself. I couldn’t get this story out of my head. As a lover of books, stories, and the methods we use to record our stories for future generations (and the speed at which those methods are changing), this story struck me in a very personal way.
A Hole to China, by Catherynne Valente, from the May Issue of Lightspeed Magazine (click here to download)
read by Stefan Rudnicki
published in October 2012
where I got it: borrowed ARC from a friend
A year has passed, it’s time to visit Fairyland again. It’s got to be better than Nebraska, where the other girls at school aren’t interested in being September’s friend, and food is purchased with ration coupons. The sooner she gets back, the sooner she can be with the best friends a girl could ever ask for: a book loving wyverary and a shyly beautiful marid.
After a rough and lonely landing in a glass forest, September notices drastic changes in her surroundings. None of her friends come to greet her, magic is being rationed, and the few magical creatures she meets are terrified of her. Maybe she’s just landed in a provincial area of Fairyland? But no, Fairyland has changed, and not for the better. Humans don’t belong in Fairyland, and when they leave, they aren’t supposed to leave things behind. When September last visited, she left her shadow behind, and it’s been up to all sorts of trouble.
For the last year, while September was doing sums and spelling, her shadow was living the high life in Fairyland-below. Known as Halloween, the Hollow Queen, her shadow rules Fairyland-below, where there are no rules, no bedtimes, no lost friends, and and un-attached to their other selves, the shadows are suddenly free to live their own lives, and do everything they’ve never been able to do before.
Ell the Wyverary and Saturday the Marid didn’t greet her when she landed in the glass forest, but their shadows were waiting for her when she landed in Fairyland-below. Are these the same Ell and Saturday that September had so many adventures with? Shadow-Ell and Shadow-Saturday are elated to be freed of the shackles of their other selves, this is the first time they’ve ever had any control over their own lives.
As Halloween hosts her revels, and her invisible assistant pulls down more shadows from Fairyland-above, Septembers feels more and more that something is wrong. Why can’t she just reunite with her shadow? Why won’t anyone listen to her? why doesn’t anyone seem to care about the damage that’s being done to Fairyland-above? If Halloween is such a reckless, horrible person, does that mean that deep down, September is too?